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Rabid Reading: Melancholia and the Mad Dog in S. Y. Agnon's Temol shilshom
by
Yudkoff, Sunny S.
in
20th century
/ Agnon, S.Y
/ Agnon, Shmuel Yosef (1888-1970)
/ Aliyah
/ Analysis
/ Criticism and interpretation
/ Cultural change
/ Cultural history
/ Dogs
/ Etiology
/ Exegesis & hermeneutics
/ Freud, Sigmund (1856-1939)
/ Hebrew language
/ Humanities
/ Immigrants
/ Israeli literature
/ Jewish literature
/ Jewish people
/ Medicine
/ Melancholy
/ Mourning
/ Novelists
/ Novels
/ Portrayals
/ Psychological aspects
/ Rabies
/ Reading
/ Symptoms
/ Writers
/ Zionism
2019
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Rabid Reading: Melancholia and the Mad Dog in S. Y. Agnon's Temol shilshom
by
Yudkoff, Sunny S.
in
20th century
/ Agnon, S.Y
/ Agnon, Shmuel Yosef (1888-1970)
/ Aliyah
/ Analysis
/ Criticism and interpretation
/ Cultural change
/ Cultural history
/ Dogs
/ Etiology
/ Exegesis & hermeneutics
/ Freud, Sigmund (1856-1939)
/ Hebrew language
/ Humanities
/ Immigrants
/ Israeli literature
/ Jewish literature
/ Jewish people
/ Medicine
/ Melancholy
/ Mourning
/ Novelists
/ Novels
/ Portrayals
/ Psychological aspects
/ Rabies
/ Reading
/ Symptoms
/ Writers
/ Zionism
2019
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Rabid Reading: Melancholia and the Mad Dog in S. Y. Agnon's Temol shilshom
by
Yudkoff, Sunny S.
in
20th century
/ Agnon, S.Y
/ Agnon, Shmuel Yosef (1888-1970)
/ Aliyah
/ Analysis
/ Criticism and interpretation
/ Cultural change
/ Cultural history
/ Dogs
/ Etiology
/ Exegesis & hermeneutics
/ Freud, Sigmund (1856-1939)
/ Hebrew language
/ Humanities
/ Immigrants
/ Israeli literature
/ Jewish literature
/ Jewish people
/ Medicine
/ Melancholy
/ Mourning
/ Novelists
/ Novels
/ Portrayals
/ Psychological aspects
/ Rabies
/ Reading
/ Symptoms
/ Writers
/ Zionism
2019
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Rabid Reading: Melancholia and the Mad Dog in S. Y. Agnon's Temol shilshom
Journal Article
Rabid Reading: Melancholia and the Mad Dog in S. Y. Agnon's Temol shilshom
2019
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Overview
In 1945, the writer S. Y. Agnon published his magnum opus—the Hebrew novel Temol shilshom (Only Yesterday). The novel follows the life of Second Aliyah immigrant Yitshak Kumer, who eventually dies after being bitten by a rabid dog. Informed by the growing field of the medical humanities, the present article reexamines the aesthetic significance of this canine figure. I begin by tracing the medico-cultural history of rabies, its etiology and symbols, and its relationship to melancholia. I then analyze the variety of melancholic symptoms and cultural-historical signifiers that are woven into the novel. Finally, I conclude by drawing on Sigmund Freud's “Mourning and Melancholia” in order to investigate the intersection of melancholia, rabies, and style in Agnon's text. Rabies and melancholia, as will become clear, are not only conditions thematized by Temol shilshom. They are also the stylistic ciphers of the text.
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