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Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse
Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse
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Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse
Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse

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Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse
Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse
Journal Article

Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse

2018
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Overview
Sofer discusses the eclectronic opera, Apocalypse, by Alice Shield. She shows how Apocalypse addresses sexual censorship through music, text, and choreography to envision a world for which sex is not stigmatized but instead exists as a productive and inseparable aspect of culture and music.