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Out of Time: Queer Temporality and Eugenic Monstrosity
by
Thomas M. Stuart
in
Beetles
/ British culture
/ Criticism and interpretation
/ Desire
/ Embodiment
/ English language
/ English literature, 1837-1901 (Victorian age)
/ Eugenics
/ Gender
/ Gender identity
/ Gothic novels
/ Heldmann, Richard Bernard
/ Horror fiction
/ Mouth
/ Novelists
/ Queer culture
/ Queer studies
/ Queer theory
/ QUEERING TIME
/ Sex crimes
/ Sexuality
/ Stoker, Bram
/ Stoker, Bram (1847-1912)
/ Supernaturalism
/ Temporality
/ Time
/ Transgender persons
/ Turn of the century
/ Vampires
/ Victorian period literature, 1832-1901
/ Works
2018
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Out of Time: Queer Temporality and Eugenic Monstrosity
by
Thomas M. Stuart
in
Beetles
/ British culture
/ Criticism and interpretation
/ Desire
/ Embodiment
/ English language
/ English literature, 1837-1901 (Victorian age)
/ Eugenics
/ Gender
/ Gender identity
/ Gothic novels
/ Heldmann, Richard Bernard
/ Horror fiction
/ Mouth
/ Novelists
/ Queer culture
/ Queer studies
/ Queer theory
/ QUEERING TIME
/ Sex crimes
/ Sexuality
/ Stoker, Bram
/ Stoker, Bram (1847-1912)
/ Supernaturalism
/ Temporality
/ Time
/ Transgender persons
/ Turn of the century
/ Vampires
/ Victorian period literature, 1832-1901
/ Works
2018
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Do you wish to request the book?
Out of Time: Queer Temporality and Eugenic Monstrosity
by
Thomas M. Stuart
in
Beetles
/ British culture
/ Criticism and interpretation
/ Desire
/ Embodiment
/ English language
/ English literature, 1837-1901 (Victorian age)
/ Eugenics
/ Gender
/ Gender identity
/ Gothic novels
/ Heldmann, Richard Bernard
/ Horror fiction
/ Mouth
/ Novelists
/ Queer culture
/ Queer studies
/ Queer theory
/ QUEERING TIME
/ Sex crimes
/ Sexuality
/ Stoker, Bram
/ Stoker, Bram (1847-1912)
/ Supernaturalism
/ Temporality
/ Time
/ Transgender persons
/ Turn of the century
/ Vampires
/ Victorian period literature, 1832-1901
/ Works
2018
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Journal Article
Out of Time: Queer Temporality and Eugenic Monstrosity
2018
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Overview
The titular antagonists of Bram Stoker's Dracula (1897) and Richard Marsh's The Beetle (1897) embody a queer repudiation of reproductive futurity through an erotic logic that ends not in reproduction but in monstrous consumption. Existing across and recalling a vast history, the characters of Dracula and the Beetle stand in opposition to the progress- and procreation-oriented culture of fin-de-siècle England. This paper examines the Gothic queerness of stopped time, arguing that a subtle figuration of these characters as trans- underlies their radical break from a contemporary eugenic logic. A trans- impulse in these texts—one that encompasses taxonomic, temporal, and gender boundaries—initially marks the monstrous body but ultimately engulfs the English subject.
Publisher
Indiana University Press
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