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SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO
SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO
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SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO
SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO

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SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO
SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO
Journal Article

SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO

2024
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Overview
Even when Hollywood's classical cinema representation system was aimed to be as solid as homogeneous and well defined, alternative films continued to be incorporated to that model. One of them is Our Town (Sam Wood, 1940), a film that, in addition of working aesthetic features linked to the avant-garde cinema, introduces a narrative device led, as in the theatrical work that the film uses as a starting point, by the figure of a narrator basically devoted to reveal the mechanisms of the act of narration, which are veiled in Classicism. This article tries to disclose the essentials that turns Our Town in an unconventional film due to its capacity of extending the classical paradigm.