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At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch
At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch
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At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch
At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch

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At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch
At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch
Journal Article

At Auschwitz, Cello in Hand: Anita Lasker-Wallfisch/A Auschwitz, un violoncelle a la main: Anita Lasker-Wallfisch

2016
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Overview
The breadth of experience that Anita Lasker-Wallfisch can attest to is almost unbelievable, yet one knows when hearing her talk that it is fact. I interviewed her in London, UK in January 2016 and in several subsequent meetings in some of the most surprising conversations I have ever had. Lasker-Wallfisch is an Auschwitz and Bergen-Belsen survivor who became a founding member of the English Chamber Orchestra and has since toured the world performing. It was not without trepidation that I asked her about some of the traumatic times she faced: being imprisoned in Germany as a young girl, deportation to the worst killing centre of the Holocaust, and rebuilding her life after liberation. The reasoning behind her insistence of the importance of music comes not from the fact that her cello-playing saved her life, but the conclusions she drew from it that apply to anyone fortunate enough to learn music.
Publisher
Canadian Music Educators Association