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Adventures in Collaborative Documentary Editing Across Continents, or How I Learned to Make Better Movies.(Composing With)
by
Hidalgo, Alexandra
in
Artistic collaboration
/ Autobiographies
/ Collaboration
/ Documentaries
/ Documentary films
/ Documentary movies
/ Editing
/ Editors
/ Feminism
/ Film Production
/ Informal Education
/ Methods
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion pictures
/ Movie editing
/ Movie production
/ Production and direction
2019
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Adventures in Collaborative Documentary Editing Across Continents, or How I Learned to Make Better Movies.(Composing With)
by
Hidalgo, Alexandra
in
Artistic collaboration
/ Autobiographies
/ Collaboration
/ Documentaries
/ Documentary films
/ Documentary movies
/ Editing
/ Editors
/ Feminism
/ Film Production
/ Informal Education
/ Methods
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion pictures
/ Movie editing
/ Movie production
/ Production and direction
2019
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While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Adventures in Collaborative Documentary Editing Across Continents, or How I Learned to Make Better Movies.(Composing With)
by
Hidalgo, Alexandra
in
Artistic collaboration
/ Autobiographies
/ Collaboration
/ Documentaries
/ Documentary films
/ Documentary movies
/ Editing
/ Editors
/ Feminism
/ Film Production
/ Informal Education
/ Methods
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion pictures
/ Movie editing
/ Movie production
/ Production and direction
2019
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Adventures in Collaborative Documentary Editing Across Continents, or How I Learned to Make Better Movies.(Composing With)
Journal Article
Adventures in Collaborative Documentary Editing Across Continents, or How I Learned to Make Better Movies.(Composing With)
2019
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Overview
Since 2012 I've coauthored a number of academic publications with peers and students. The cinematographer is in charge of capturing the film's visuals with their camera, the sound person is the only one who can hear how voices and ambient sounds are picked up by microphones. Through the instruments they wield and the formal and informal education they've received, crewmembers deliver heterogeneous pieces of a hopefully cohesive whole.
Publisher
University of Massachusetts Boston,University of Cincinnati on behalf of Composition Studies
Subject
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