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FILLED WITH BIG IDEAS, IMAGES, AND DISTORTED FACTS: THE PASTICHE OF TODD HAYNES' I'M NOT THERE
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FILLED WITH BIG IDEAS, IMAGES, AND DISTORTED FACTS: THE PASTICHE OF TODD HAYNES' I'M NOT THERE
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Journal Article
FILLED WITH BIG IDEAS, IMAGES, AND DISTORTED FACTS: THE PASTICHE OF TODD HAYNES' I'M NOT THERE
2017
Overview
This essay explores the limits of postmodernism as an approach to adaptation, especially in the contexts of the representations of the life and art of a popular music performer who proved quite adept at changing and transforming his style and his public persona. Despite its formal narrative complexity, I'm Not There ultimately creates at best meditations on the biopic genre itself-and by extension, meditations on the nature of cinematic adaptation-but at worst, it tends toward \"flattening\" its subject/s as either postmodern narcissist or one-dimensional pastiche-and by extension, suggesting the limitations of adaptation as a mode of practice and as a distinct narratological category.
