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Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\
Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\
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Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\
Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\

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Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\
Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\
Journal Article

Beyond Praxis: Leone de' Sommi's Apology of Theater and Judaism in His \Quattro dialoghi in materia di rappresentazioni sceniche\

2015
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Overview
Leone de' Sommi's treatise Quattro dialoghi in materia di rappresentazioni sceniche (Mantova, 1565) is known mainly as the earliest methodical treatment of the art of theater direction. I aim to shed light on another aspect of this text, which resides under the surface despite its centrality to the author's project. I propose that De' Sommi's Dialoghi constitute an apology of both secular theater and Jewish culture, aimed at two distinct reading audiences: his Christian and Jewish readers.