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JEAN EPSTEIN'S VISUAL THINKING: FACE, FLUID AND ANIMISM/ O PENSAMENTO VISUAL EPSTEINIANO: ROSTO, FLUIDO E ANIMISMO/ EL PENSAMIENTO VISUAL DE JEAN EPSTEIN: ROSTRO, FLUIDO Y ANIMISM
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JEAN EPSTEIN'S VISUAL THINKING: FACE, FLUID AND ANIMISM/ O PENSAMENTO VISUAL EPSTEINIANO: ROSTO, FLUIDO E ANIMISMO/ EL PENSAMIENTO VISUAL DE JEAN EPSTEIN: ROSTRO, FLUIDO Y ANIMISM
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JEAN EPSTEIN'S VISUAL THINKING: FACE, FLUID AND ANIMISM/ O PENSAMENTO VISUAL EPSTEINIANO: ROSTO, FLUIDO E ANIMISMO/ EL PENSAMIENTO VISUAL DE JEAN EPSTEIN: ROSTRO, FLUIDO Y ANIMISM
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Journal Article
JEAN EPSTEIN'S VISUAL THINKING: FACE, FLUID AND ANIMISM/ O PENSAMENTO VISUAL EPSTEINIANO: ROSTO, FLUIDO E ANIMISMO/ EL PENSAMIENTO VISUAL DE JEAN EPSTEIN: ROSTRO, FLUIDO Y ANIMISM
2019
Overview
Jean Epstein's writings and films often exalt the camera eye and the intelligence of the film machine. In addition to this enthusiasm for the device, typical of the European vanguards of the early 20th century, we have tried to identify the basis for the author's visual thinking. The paper focuses on the figuration of the human face, the logic of the fluid and the animistic principle. The analysis of these elements, present in the writings and films, allows to understand the axis of Epstein's poetics and aesthetics: the relation between cinema and time.
Publisher
Editora da PUCRS
Subject
