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Miyazaki and Takahata Anime Cinema
by
Hu, Tze-Yue G
in
Animated films
/ Animation
/ Anime
/ anime cinema
/ Anthropology
/ Applied anthropology
/ Art criticism
/ Art theory
/ Artists
/ Arts
/ Asian studies
/ auteur model
/ Behavioral sciences
/ Black & Asian studies
/ Business
/ Cartoons
/ Cultural anthropology
/ Cultural industries
/ Cultural Studies
/ East Asian studies
/ Economic disciplines
/ Economics
/ Employment
/ Entertainment industries
/ Ethnography
/ Ethnology
/ Feature films
/ Film criticism
/ Film directors
/ Film studies
/ Films, cinema
/ Industrial sectors
/ Industry
/ Japanese culture
/ Japanese studies
/ Labor economics
/ Manga
/ Miyazaki Hiyao
/ Model animation
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Occupations
/ Puppet animation
/ Society and Culture
/ Stop motion animation
/ Studio Ghibli
/ Takahata Isao
/ Visual arts
2010
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Miyazaki and Takahata Anime Cinema
by
Hu, Tze-Yue G
in
Animated films
/ Animation
/ Anime
/ anime cinema
/ Anthropology
/ Applied anthropology
/ Art criticism
/ Art theory
/ Artists
/ Arts
/ Asian studies
/ auteur model
/ Behavioral sciences
/ Black & Asian studies
/ Business
/ Cartoons
/ Cultural anthropology
/ Cultural industries
/ Cultural Studies
/ East Asian studies
/ Economic disciplines
/ Economics
/ Employment
/ Entertainment industries
/ Ethnography
/ Ethnology
/ Feature films
/ Film criticism
/ Film directors
/ Film studies
/ Films, cinema
/ Industrial sectors
/ Industry
/ Japanese culture
/ Japanese studies
/ Labor economics
/ Manga
/ Miyazaki Hiyao
/ Model animation
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Occupations
/ Puppet animation
/ Society and Culture
/ Stop motion animation
/ Studio Ghibli
/ Takahata Isao
/ Visual arts
2010
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Do you wish to request the book?
Miyazaki and Takahata Anime Cinema
by
Hu, Tze-Yue G
in
Animated films
/ Animation
/ Anime
/ anime cinema
/ Anthropology
/ Applied anthropology
/ Art criticism
/ Art theory
/ Artists
/ Arts
/ Asian studies
/ auteur model
/ Behavioral sciences
/ Black & Asian studies
/ Business
/ Cartoons
/ Cultural anthropology
/ Cultural industries
/ Cultural Studies
/ East Asian studies
/ Economic disciplines
/ Economics
/ Employment
/ Entertainment industries
/ Ethnography
/ Ethnology
/ Feature films
/ Film criticism
/ Film directors
/ Film studies
/ Films, cinema
/ Industrial sectors
/ Industry
/ Japanese culture
/ Japanese studies
/ Labor economics
/ Manga
/ Miyazaki Hiyao
/ Model animation
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Occupations
/ Puppet animation
/ Society and Culture
/ Stop motion animation
/ Studio Ghibli
/ Takahata Isao
/ Visual arts
2010
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Book Chapter
Miyazaki and Takahata Anime Cinema
2010
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Overview
This chapter continues to trace the postwar development of Japanese animation from the 1970s onward. In particular, the rise of master animator Miyazaki Hayao and his colleague, animation director Takahata Isao, will be discussed in detail. In examining the eminence of Japan’s animation industry, the close working relationship of Miyazaki and Takahata in the past cannot be overlooked. It is important to examine the common elements found in their works. They founded Studio Ghibli in 1985, which almost equaled the status of Toei Dōga. The establishment of such a Toei-like animation studio was aimed primarily to produce animated feature films.
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