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CINEMA PARAGONS, HOLLYWOOD, AND LADY MARY
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Arts
/ Behavioral sciences
/ Business
/ Children
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Documentary films
/ Entertainment industries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ Human populations
/ Industrial sectors
/ Industry
/ Literature
/ Memoirs
/ Military science
/ Motion picture industry
/ Movies
/ Persons
/ Political science
/ Population studies
/ Social sciences
/ War
/ War theaters
/ World wars
2014,2015
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CINEMA PARAGONS, HOLLYWOOD, AND LADY MARY
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Arts
/ Behavioral sciences
/ Business
/ Children
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Documentary films
/ Entertainment industries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ Human populations
/ Industrial sectors
/ Industry
/ Literature
/ Memoirs
/ Military science
/ Motion picture industry
/ Movies
/ Persons
/ Political science
/ Population studies
/ Social sciences
/ War
/ War theaters
/ World wars
2014,2015
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CINEMA PARAGONS, HOLLYWOOD, AND LADY MARY
by
Sitton, Robert
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Arts
/ Behavioral sciences
/ Business
/ Children
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Documentary films
/ Entertainment industries
/ Film studies
/ History of art & design styles: c 1800 to c 1900
/ Human populations
/ Industrial sectors
/ Industry
/ Literature
/ Memoirs
/ Military science
/ Motion picture industry
/ Movies
/ Persons
/ Political science
/ Population studies
/ Social sciences
/ War
/ War theaters
/ World wars
2014,2015
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CINEMA PARAGONS, HOLLYWOOD, AND LADY MARY
2014,2015
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Overview
While filing her reports for theDaily Mail, Iris continued contributing more in-depth articles to theSpectator. There she had the latitude to work out her responses to some of the achievements of early film. In her writings we see an astute mind at work, free from the assumptions that would later color standard assessments of great figures in film history. Iris saw things afresh. It was only later, in part due to the recognition she accorded them, that the pantheon figures of filmdom took on their preternatural glow.
Coincident with the founding of the Film Society in September of
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