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CONCLUSION
by
Decherney, Peter
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Art conservation
/ Art history
/ Art museums
/ Art preservation
/ Artists
/ Arts
/ Audiovisual libraries
/ Behavioral sciences
/ Broadcasting industry
/ Broadcasting stations
/ Business
/ Cultural anthropology
/ Cultural industries
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Electronic media preservation
/ Employment
/ Entertainment industries
/ Film libraries
/ Film preservation
/ Film producers
/ Film studies
/ Formal education
/ Industrial sectors
/ Industry
/ Labor economics
/ Libraries
/ Military science
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Museums
/ Network affiliates
/ Occupations
/ Political science
/ Schools
/ Service industries
/ Special libraries
/ Television networks
/ Universities
/ War
/ War theaters
/ World wars
2005
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CONCLUSION
by
Decherney, Peter
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Art conservation
/ Art history
/ Art museums
/ Art preservation
/ Artists
/ Arts
/ Audiovisual libraries
/ Behavioral sciences
/ Broadcasting industry
/ Broadcasting stations
/ Business
/ Cultural anthropology
/ Cultural industries
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Electronic media preservation
/ Employment
/ Entertainment industries
/ Film libraries
/ Film preservation
/ Film producers
/ Film studies
/ Formal education
/ Industrial sectors
/ Industry
/ Labor economics
/ Libraries
/ Military science
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Museums
/ Network affiliates
/ Occupations
/ Political science
/ Schools
/ Service industries
/ Special libraries
/ Television networks
/ Universities
/ War
/ War theaters
/ World wars
2005
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CONCLUSION
by
Decherney, Peter
in
Anthropology
/ Applied anthropology
/ Armed conflict
/ Art conservation
/ Art history
/ Art museums
/ Art preservation
/ Artists
/ Arts
/ Audiovisual libraries
/ Behavioral sciences
/ Broadcasting industry
/ Broadcasting stations
/ Business
/ Cultural anthropology
/ Cultural industries
/ Cultural institutions
/ Cultural studies
/ Documentary films
/ Economic disciplines
/ Economics
/ Education
/ Educational institutions
/ Electronic media preservation
/ Employment
/ Entertainment industries
/ Film libraries
/ Film preservation
/ Film producers
/ Film studies
/ Formal education
/ Industrial sectors
/ Industry
/ Labor economics
/ Libraries
/ Military science
/ Motion picture employees
/ Motion picture industry
/ Movies
/ Museums
/ Network affiliates
/ Occupations
/ Political science
/ Schools
/ Service industries
/ Special libraries
/ Television networks
/ Universities
/ War
/ War theaters
/ World wars
2005
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CONCLUSION
2005
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Overview
Collaborations between Hollywood and cultural institutions belong to the golden era of the studio system. Like the other constituent elements of that period, such collaborations were transformed during the transition from the studio system to what has been called the New Hollywood, in the 1950s, 1960s, and 1970s. The Supreme Court’s decision that studios should divest themselves of movie theater chains, as well as the popularity of television and the increasing importance of international ticket sales, among many other factors, forced the American film industry to undergo significant restructuring. The studios continued to exist but the system changed. The New
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