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THE NOVEL'S PROGRESS: FACTION, FICTION, AND FIELDING
by
TUMBLESON, RAYMOND D.
in
18th century
/ Anonymous writers. Authors
/ British & Irish literature
/ Catholicism
/ Common sense
/ Cultural heritage
/ English language
/ English literature
/ English speaking literatures
/ Fear
/ Fiction
/ Fielding, Henry (1707-1754)
/ French speaking and English speaking literatures
/ Great Britain. Ireland
/ History
/ History and sciences of litterature
/ History of literature
/ Jacobitism
/ Language history
/ Literary criticism
/ Marvell, Andrew (1621-1678)
/ Narratives
/ Novels
/ Priests
/ Protestantism
/ Rebellion
1995
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THE NOVEL'S PROGRESS: FACTION, FICTION, AND FIELDING
by
TUMBLESON, RAYMOND D.
in
18th century
/ Anonymous writers. Authors
/ British & Irish literature
/ Catholicism
/ Common sense
/ Cultural heritage
/ English language
/ English literature
/ English speaking literatures
/ Fear
/ Fiction
/ Fielding, Henry (1707-1754)
/ French speaking and English speaking literatures
/ Great Britain. Ireland
/ History
/ History and sciences of litterature
/ History of literature
/ Jacobitism
/ Language history
/ Literary criticism
/ Marvell, Andrew (1621-1678)
/ Narratives
/ Novels
/ Priests
/ Protestantism
/ Rebellion
1995
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THE NOVEL'S PROGRESS: FACTION, FICTION, AND FIELDING
by
TUMBLESON, RAYMOND D.
in
18th century
/ Anonymous writers. Authors
/ British & Irish literature
/ Catholicism
/ Common sense
/ Cultural heritage
/ English language
/ English literature
/ English speaking literatures
/ Fear
/ Fiction
/ Fielding, Henry (1707-1754)
/ French speaking and English speaking literatures
/ Great Britain. Ireland
/ History
/ History and sciences of litterature
/ History of literature
/ Jacobitism
/ Language history
/ Literary criticism
/ Marvell, Andrew (1621-1678)
/ Narratives
/ Novels
/ Priests
/ Protestantism
/ Rebellion
1995
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Journal Article
THE NOVEL'S PROGRESS: FACTION, FICTION, AND FIELDING
1995
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Overview
The evolution of the English novel in the 18th century is discussed. In the 17th and 18th centuries, England had to conquer its Catholic heritage to reinvent itself as a Protestant nation. The relation of Henry Fielding's \"Tom Jones\" to these religious issues is examined.
Publisher
University of North Texas,North Texas State University,Johns Hopkins University Press
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