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Resonance, Anechoica, and Noisy Speech
by
Dyson, Frances
in
Acoustic echoes
/ Acoustic noise
/ Acoustic scattering
/ Acoustics
/ Applied sciences
/ Art Theory & Criticism
/ Articulatory phonetics
/ Arts
/ Electrical engineering
/ Engineering
/ Language
/ Linguistics
/ Literary genres
/ Literature
/ Media Studies
/ Music
/ Music & Sound Studies
/ Music theory
/ Musical pitch
/ Musical register
/ Performing arts
/ Phonetics
/ Phonology
/ Physical sciences
/ Physics
/ Poetry
/ Reverberation
/ Signal noise
/ Signal processing
/ Social Sciences
/ Sound
/ Tone of voice
/ Vocal music
/ Voiced sounds
2014
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Resonance, Anechoica, and Noisy Speech
by
Dyson, Frances
in
Acoustic echoes
/ Acoustic noise
/ Acoustic scattering
/ Acoustics
/ Applied sciences
/ Art Theory & Criticism
/ Articulatory phonetics
/ Arts
/ Electrical engineering
/ Engineering
/ Language
/ Linguistics
/ Literary genres
/ Literature
/ Media Studies
/ Music
/ Music & Sound Studies
/ Music theory
/ Musical pitch
/ Musical register
/ Performing arts
/ Phonetics
/ Phonology
/ Physical sciences
/ Physics
/ Poetry
/ Reverberation
/ Signal noise
/ Signal processing
/ Social Sciences
/ Sound
/ Tone of voice
/ Vocal music
/ Voiced sounds
2014
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Do you wish to request the book?
Resonance, Anechoica, and Noisy Speech
by
Dyson, Frances
in
Acoustic echoes
/ Acoustic noise
/ Acoustic scattering
/ Acoustics
/ Applied sciences
/ Art Theory & Criticism
/ Articulatory phonetics
/ Arts
/ Electrical engineering
/ Engineering
/ Language
/ Linguistics
/ Literary genres
/ Literature
/ Media Studies
/ Music
/ Music & Sound Studies
/ Music theory
/ Musical pitch
/ Musical register
/ Performing arts
/ Phonetics
/ Phonology
/ Physical sciences
/ Physics
/ Poetry
/ Reverberation
/ Signal noise
/ Signal processing
/ Social Sciences
/ Sound
/ Tone of voice
/ Vocal music
/ Voiced sounds
2014
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Resonance, Anechoica, and Noisy Speech
2014
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Overview
Badiou’s ontology inserts a “decision” in place of the cosmos, or pure multiplicity, that might see power drift into the ether of virtuality.¹ The decision is ideological, and ideology, as Žižek explains, “exploits the minimal distance between a simple collection of elements and the different sets that form part of this collection” (Hallward 2003, 90). The organizational aspect of ideology results in a “structural repression of that part which … having no discernible members of its own, is effectively ‘void’ in the situation” (ibid., 89). In elaborating the role of ideology in Badiou’s ontology, Hallward uses the example of music
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