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The Art of Noise: Understanding Digital Sound Effects in Wayang Kulit (Shadow Puppets)
by
Ghani, Dahlan Bin Abdul
in
Acoustic noise
/ Audiences
/ Computer art
/ Diegetic music
/ Music
/ Musical Aesthetics
/ Musical instruments
/ Musical performance
/ Musical Styles
/ Noise
/ Puppet shows
/ Puppets
/ Research Papers – Izvorni znanstveni članci
/ Roles
/ Shadow puppet plays
/ Shadow puppets
2016
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The Art of Noise: Understanding Digital Sound Effects in Wayang Kulit (Shadow Puppets)
by
Ghani, Dahlan Bin Abdul
in
Acoustic noise
/ Audiences
/ Computer art
/ Diegetic music
/ Music
/ Musical Aesthetics
/ Musical instruments
/ Musical performance
/ Musical Styles
/ Noise
/ Puppet shows
/ Puppets
/ Research Papers – Izvorni znanstveni članci
/ Roles
/ Shadow puppet plays
/ Shadow puppets
2016
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Do you wish to request the book?
The Art of Noise: Understanding Digital Sound Effects in Wayang Kulit (Shadow Puppets)
by
Ghani, Dahlan Bin Abdul
in
Acoustic noise
/ Audiences
/ Computer art
/ Diegetic music
/ Music
/ Musical Aesthetics
/ Musical instruments
/ Musical performance
/ Musical Styles
/ Noise
/ Puppet shows
/ Puppets
/ Research Papers – Izvorni znanstveni članci
/ Roles
/ Shadow puppet plays
/ Shadow puppets
2016
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The Art of Noise: Understanding Digital Sound Effects in Wayang Kulit (Shadow Puppets)
Journal Article
The Art of Noise: Understanding Digital Sound Effects in Wayang Kulit (Shadow Puppets)
2016
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Overview
The music amalgam of Wayang Kulit provides a unique variation inside its performances. The various roles of music in Wayang Kulit are not very well understood and the possibilities of sound are underused or lack exposure, which points at possible slow extinction of Wayang Kulit. This study presents a framework for better understanding and using Wayang Kulit sounds which is based on distinguishing between diegetic and nondiegetic sound as motives, melody and reference. Diegetic is something that belongs to the shadow puppet realm, whereas nondiegetic is something from outside the Wayang Kulit fictive environment. The framework provides a tool for classifying Wayang Kulit sounds and audio effects, but may also be used as a design tool. This paper will study and examine the existing culture or aesthetic values related to sound motives used in Wayang Kulit. Glazbeni amalgam Wayang Kulita (lutkarskog kazališta sjena) pruža jedinstvenu raznolikost u svojim izvedbama. Razne uloge glazbe u Wayang Kulitu često se ne razumiju dobro, a zvukovne mogućnosti nisu dovoljno upotrebljavane ili istaknute, što upućuje na mogućnost polaganog odumiranja Wayang Kulita. U ovom se članku predstavlja okvir za razumijevanje i uporabu zvukova Wayang Kulita kako bi se situacija poboljšala. Taj se okvir temelji na ispitivanju i istraživanju zvukovnih efekata i razlikovanja između diegetičkog i nediegetičkog zvuka kao motiva, melodije i reference. U Wayang Kulitu diegetičko je nešto što pripada području lutkarskog kazališta sjena, dok je nediegetičko nešto izvan fiktivog okoliša Wayang Kulita. Okvir pruža oruđe za klasificiranje zvukova i audio-efekata Wayang Kulita, ali ga se može upotrijebiti i kao oruđe za dizajniranje. U članku se ispituje i proučava postojeća kultura i estetičke vrijednosti što se odnose na zvukovne motive Wayang Kulita.
Publisher
Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb,Hrvatsko Muzikolosko Drustvo
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