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Show Stoppers
by
RASHNA WADIA RICHARDS
in
Animal anatomy
/ Animal hair
/ Animal morphology
/ Animal organs
/ Anthropology
/ Applied anthropology
/ Applied arts
/ Applied sciences
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Business
/ Chiffon
/ Communications
/ Costume design
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Design
/ Economic disciplines
/ Economic history
/ Economics
/ Employment
/ Entertainment industries
/ Fabrics
/ Film studies
/ Film theory & criticism
/ Fur
/ Great Depression
/ Historical methodology
/ Historiography
/ History
/ Industrial sectors
/ Industry
/ Labor economics
/ Literary elements
/ Literature
/ Materials
/ Materials science
/ Modernist art
/ Motion picture industry
/ Movies
/ Narrative plot
/ Narratives
/ Occupations
/ Plain weave fabrics
/ Ragpickers
/ Sanitation workers
/ Social sciences
/ Surrealism
/ Textiles
/ Zoology
2012
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Show Stoppers
by
RASHNA WADIA RICHARDS
in
Animal anatomy
/ Animal hair
/ Animal morphology
/ Animal organs
/ Anthropology
/ Applied anthropology
/ Applied arts
/ Applied sciences
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Business
/ Chiffon
/ Communications
/ Costume design
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Design
/ Economic disciplines
/ Economic history
/ Economics
/ Employment
/ Entertainment industries
/ Fabrics
/ Film studies
/ Film theory & criticism
/ Fur
/ Great Depression
/ Historical methodology
/ Historiography
/ History
/ Industrial sectors
/ Industry
/ Labor economics
/ Literary elements
/ Literature
/ Materials
/ Materials science
/ Modernist art
/ Motion picture industry
/ Movies
/ Narrative plot
/ Narratives
/ Occupations
/ Plain weave fabrics
/ Ragpickers
/ Sanitation workers
/ Social sciences
/ Surrealism
/ Textiles
/ Zoology
2012
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Do you wish to request the book?
Show Stoppers
by
RASHNA WADIA RICHARDS
in
Animal anatomy
/ Animal hair
/ Animal morphology
/ Animal organs
/ Anthropology
/ Applied anthropology
/ Applied arts
/ Applied sciences
/ Art genres and movements
/ Art history
/ Arts
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Business
/ Chiffon
/ Communications
/ Costume design
/ Cultural anthropology
/ Cultural industries
/ Cultural studies
/ Design
/ Economic disciplines
/ Economic history
/ Economics
/ Employment
/ Entertainment industries
/ Fabrics
/ Film studies
/ Film theory & criticism
/ Fur
/ Great Depression
/ Historical methodology
/ Historiography
/ History
/ Industrial sectors
/ Industry
/ Labor economics
/ Literary elements
/ Literature
/ Materials
/ Materials science
/ Modernist art
/ Motion picture industry
/ Movies
/ Narrative plot
/ Narratives
/ Occupations
/ Plain weave fabrics
/ Ragpickers
/ Sanitation workers
/ Social sciences
/ Surrealism
/ Textiles
/ Zoology
2012
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Book Chapter
Show Stoppers
2012
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Overview
For a brief moment, a chance encounter between a Wall Street tycoon and an unsuspecting working girl takes on the spectral eeriness of a Surrealist nightmare. Worn down by his profligate wife’s spending habits, millionaire banker J. B. Ball (Edward Arnold) decides to teach her a lesson. When their marital spat climaxes on their Fifth Avenue penthouse landing, he flings her most recent purchase, a $58,000 fur coat, off the roof. An overhead shot captures the coat as it slowly descends and assumes the shape of an ominous, bat-like creature (Figure 2.1). Its ghostly glide down seems to envelop a
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