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Pushpamala : a performative deconstruction of the typography of indigenous women through a postcolonial lens
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Pushpamala : a performative deconstruction of the typography of indigenous women through a postcolonial lens
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Journal Article
Pushpamala : a performative deconstruction of the typography of indigenous women through a postcolonial lens
2020
Overview
Explores how the contemporary Indian artist challenges colonial photography of indigenous peoples and exposes its anachronistic portrayal of history. Focuses on three photographs from her series ‘Native women of South India’ (2000–2004) to discuss the ways that she transforms herself into both the exoticised and essentialised ‘native’ and the anthropologist, using mise en scène, performance and mimicry to reject dominant colonial misrepresentations. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Publisher
The New Zealand Women's Studies Association
