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Applying the skills and knowledge of the museum to the history classroom
by
Jodie Smith
in
Archives
/ Archives & records
/ Audiences
/ Classrooms
/ Colonialism
/ Conservation and restoration
/ Critical Thinking
/ History
/ History education
/ History Instruction
/ History students
/ Knowledge
/ Local History
/ Museum exhibits
/ Museums
/ Narratives
/ Preservation
/ Prior Learning
/ Records (Forms)
/ Social Systems
/ Students
/ Study and teaching
/ Surveillance
/ Teachers
/ Thinking Skills
2022
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Applying the skills and knowledge of the museum to the history classroom
by
Jodie Smith
in
Archives
/ Archives & records
/ Audiences
/ Classrooms
/ Colonialism
/ Conservation and restoration
/ Critical Thinking
/ History
/ History education
/ History Instruction
/ History students
/ Knowledge
/ Local History
/ Museum exhibits
/ Museums
/ Narratives
/ Preservation
/ Prior Learning
/ Records (Forms)
/ Social Systems
/ Students
/ Study and teaching
/ Surveillance
/ Teachers
/ Thinking Skills
2022
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Do you wish to request the book?
Applying the skills and knowledge of the museum to the history classroom
by
Jodie Smith
in
Archives
/ Archives & records
/ Audiences
/ Classrooms
/ Colonialism
/ Conservation and restoration
/ Critical Thinking
/ History
/ History education
/ History Instruction
/ History students
/ Knowledge
/ Local History
/ Museum exhibits
/ Museums
/ Narratives
/ Preservation
/ Prior Learning
/ Records (Forms)
/ Social Systems
/ Students
/ Study and teaching
/ Surveillance
/ Teachers
/ Thinking Skills
2022
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Applying the skills and knowledge of the museum to the history classroom
Journal Article
Applying the skills and knowledge of the museum to the history classroom
2022
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Overview
Every day a plethora of people-such as curators, boards, collection managers, donors, marketing staff, educators and even visitors-decide whose objects are collected, and which stories are featured on the website, showcased in an exhibit, or included in school programs- and, by extension, those that are not. Some, like Museums Victoria, have engaged in processes of repatriation and apology.2 As teachers we need to recognise and acknowledge that the study of History as a discipline has traditionally placed value on written archival records or academic writings, thus devaluing and excluding the oral and performance methods of preserving history used by First Nations people.3 Last year I returned to high-school History teaching with first-hand experience of the application of history in museums as well as aspirations to more closely work at the intersection of the two worlds. [...]the Paul Revere House does not house any archives. [...]his 1768 portrait hangs in the Museum of Fine Arts Boston alongside artist John Singleton Copley's many other works.
Publisher
History Teachers' Association of Victoria,History Teachers’ Association of Victoria
Subject
MBRLCatalogueRelatedBooks
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