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The Quest
by
SERGIO ZATTI
in
Applied arts
/ Architecture
/ Arts
/ Astronomical objects
/ Astronomy
/ Buildings
/ Communications
/ Dialectic
/ Discourse
/ Dwellings
/ Earths Moon
/ Literary genres
/ Literature
/ Narrative devices
/ Narrative modes
/ Narrative poetry
/ Narratives
/ Natural satellites
/ Palaces
/ Physical sciences
/ Poetic forms
/ Poetic movements
/ Poetic themes
/ Poetry
/ Residential buildings
/ Rhetoric
/ Social sciences
/ Stanzas
2006
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The Quest
by
SERGIO ZATTI
in
Applied arts
/ Architecture
/ Arts
/ Astronomical objects
/ Astronomy
/ Buildings
/ Communications
/ Dialectic
/ Discourse
/ Dwellings
/ Earths Moon
/ Literary genres
/ Literature
/ Narrative devices
/ Narrative modes
/ Narrative poetry
/ Narratives
/ Natural satellites
/ Palaces
/ Physical sciences
/ Poetic forms
/ Poetic movements
/ Poetic themes
/ Poetry
/ Residential buildings
/ Rhetoric
/ Social sciences
/ Stanzas
2006
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Do you wish to request the book?
The Quest
by
SERGIO ZATTI
in
Applied arts
/ Architecture
/ Arts
/ Astronomical objects
/ Astronomy
/ Buildings
/ Communications
/ Dialectic
/ Discourse
/ Dwellings
/ Earths Moon
/ Literary genres
/ Literature
/ Narrative devices
/ Narrative modes
/ Narrative poetry
/ Narratives
/ Natural satellites
/ Palaces
/ Physical sciences
/ Poetic forms
/ Poetic movements
/ Poetic themes
/ Poetry
/ Residential buildings
/ Rhetoric
/ Social sciences
/ Stanzas
2006
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Book Chapter
The Quest
2006
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Overview
1 An analysis of the narrative form and thematic organization of theFuriosomust recognize the central function of the quest (inchiesta). As the foundational theme for a whole genre, the quest is the transformation of the ancient chronotope (to borrow a term from Bakhtin) of theaventure, so familiar to the French medieval romance and inherited by Italian chivalric literature. Already in the Arthurian romances – and even more prominently in Chrétien’s last texts and in the whole cycle of the search for the Grail – theaventureis progressively framed within thequête: ‘The point of departure from which the
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