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Tracking the Tide
by
Theo Cateforis
in
Arts
/ Bodies of water
/ Business
/ Communications
/ Cultural industries
/ Dance music
/ Disco
/ Earth sciences
/ Geography
/ Geomorphology
/ Guitars
/ Industrial sectors
/ Industry
/ Journalism
/ Lutes
/ Mass communication
/ Mass media
/ Mechanics
/ Music
/ Music ensembles
/ Music genres
/ Music industry
/ Musical bands
/ Musical instruments
/ Musical performance
/ News content
/ News media
/ Ocean surface
/ Ocean waves
/ Oceans
/ Performing arts
/ Physical sciences
/ Physics
/ Popular music
/ Recording industry
/ Rock music
/ Social sciences
/ String instruments
/ Tidal waves
/ Wave mechanics
/ Waves
2011
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Tracking the Tide
by
Theo Cateforis
in
Arts
/ Bodies of water
/ Business
/ Communications
/ Cultural industries
/ Dance music
/ Disco
/ Earth sciences
/ Geography
/ Geomorphology
/ Guitars
/ Industrial sectors
/ Industry
/ Journalism
/ Lutes
/ Mass communication
/ Mass media
/ Mechanics
/ Music
/ Music ensembles
/ Music genres
/ Music industry
/ Musical bands
/ Musical instruments
/ Musical performance
/ News content
/ News media
/ Ocean surface
/ Ocean waves
/ Oceans
/ Performing arts
/ Physical sciences
/ Physics
/ Popular music
/ Recording industry
/ Rock music
/ Social sciences
/ String instruments
/ Tidal waves
/ Wave mechanics
/ Waves
2011
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Do you wish to request the book?
Tracking the Tide
by
Theo Cateforis
in
Arts
/ Bodies of water
/ Business
/ Communications
/ Cultural industries
/ Dance music
/ Disco
/ Earth sciences
/ Geography
/ Geomorphology
/ Guitars
/ Industrial sectors
/ Industry
/ Journalism
/ Lutes
/ Mass communication
/ Mass media
/ Mechanics
/ Music
/ Music ensembles
/ Music genres
/ Music industry
/ Musical bands
/ Musical instruments
/ Musical performance
/ News content
/ News media
/ Ocean surface
/ Ocean waves
/ Oceans
/ Performing arts
/ Physical sciences
/ Physics
/ Popular music
/ Recording industry
/ Rock music
/ Social sciences
/ String instruments
/ Tidal waves
/ Wave mechanics
/ Waves
2011
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Tracking the Tide
2011
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Overview
TheRandom House Unabridged Dictionarydefines a new wave as “a movement, trend, or vogue, as in art, literature, or politics, that breaks with traditional concepts, values, techniques, or the like.”¹ There are numerous examples that fit this bill, ranging from the 1960s new wave of British theater and the influential early 1980s New Wave of British Heavy Metal to, of course, the music that serves as the subject of this very book. Regardless of how or where one encounters a “new wave,” its signifying power traces back to the phrase’s original etymology, that of the late 1950s French cinematic
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