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Gender Trouble in The Long Day
Journal Article

Gender Trouble in The Long Day

2015
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Overview
The American author is a turn-of-the-century prototype for Barbara Ehrenreich: The Long Day exposes the poor working conditions of so-called unskilled jobs and the near impossibility of surviving on their wages in much the same manner that Ehrenreich's New York Times bestseller Nickel and Dimed: On (Not) Getting by in America (2001) later would. Working-class fiction is difficult to define given the amorphous yet fundamentally binary construction of class, but it is a broad genre that has generated a wealth of scholarship.1 Yezierska's fiction, for instance, has received renewed attention from feminists, labor historians, and scholars of ethnic American literature since the 1970s (Hefner 188). More than a century after it chronicled a nameless woman's attempts to make a living as a housekeeper, a box maker, a manufacturer of artificial flowers, and a laundry worker, The Long Day lends insight and nuance into feminist analyses of early twentieth-century modernity and the New Woman in America, to include a clear picture of privileged women's perceptions of female workers.