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CHAPTER 9: Artist's Essay: Towers, Shipwrecks, and Neo-Baroque Allegories
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Journal Article
CHAPTER 9: Artist's Essay: Towers, Shipwrecks, and Neo-Baroque Allegories
2017
Overview
According to Benjamin, with the \"baroque it is common practice ... to pile up fragments ceaselessly, without any strict idea of a goal\" (in Broadfoot 9). Here I want to review some of the findings that informed Barroco Nova, especially because they bear heavily on my preoccupations as an ostensible neo-baroque artist.2 The exhibition Ultrabaroque, organized and circulated by the Museum of Contemporary Art in San Diego, was important for audiences throughout the non-Latin world because of the significant complexity its wide range of contemporary art emphasised. [...]the return of the baroque brings liberation of the repressed and is thus seen as an emancipation from modernity.\" In 2011 he co-curated with Susan Edelstein the exhibition, \"Barroco Nova: Neo-Baroque Moves in Contemporary Art\" (Museum London, Ontario). Since 2007 he has been part of the 'Hispanic/Transatlantic Baroque' project funded by the Canadian grant body SSHRC and has been working with the neo-baroque research team.
Publisher
Brill Academic Publishers, Inc
Subject
