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Journal Article

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2008
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Overview
Drawn Like Money, which was occasioned by a collaborative project entitled Ar t and Cold Cash, is excerpted here to demonstrate my interest in representations of landscape and wildlife through visual rubrics that have come to confer notions of economic value upon pictorial representations. Specific to the Drawn Like Money Series was the idea that nationhood in Canada has in part been forged in relationship to images of the land, including those painted by artists and illustrators whose works were modeled on a British idea of landscape; by the paintings of the Group of Seven; and with regard to other such representations displayed on paper money since the midtwentieth century and earlier.
Publisher
University of Cincinnati on behalf of Visible Language