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Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
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Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
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Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi

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Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi
Journal Article

Du ventre maternel à la tombe : dynamisme de l'espace dans Poulet aux prunes de Marjane Satrapi

2019
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Overview
In Poulet aux prunes, space contributes considerably to the semantization of Nasser Ali's character. This character is tragic, in vain searching for maternal love. The universe of Nasser Ali includes 3 spaces: the here, the elsewhere, and the hereafter. The here, represented by the maternal body and Iran's homeland, designates the maternal figure. Yet, this land is occupied by another, it is an inaccessible land for our hero. Driven by the here, the protagonist hopes to find a substitute mother figure in the elsewhere, represented by the world of women and the world of music. But he is disappointed because elsewhere gives him only illusory substitute mothers. The tragedy of Nasser Ali is that of space: he finds nowhere his mother; in his quest, everywhere, here as elsewhere, he is perpetually frustrated. In such a situation, there remains only one space: the hereafter, represented by his room, where he locks himself after deciding not to live, and the grave being his last home. For this tragic character, only suicide and death allow him to relive the intrauterine existence and thus to join the maternal body, a space from which he was excluded as long as he lived.
Publisher
Universitatea \"Alexandru Ioan Cuza\" Iasi