Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
A Note from the Editor
by
Shawyer, Susanne
in
Audience Response
/ Audiences
/ Comedies
/ Comedy
/ Editing
/ Editors
/ Empathy
/ Singing
/ Social order
/ Sondheim, Stephen
/ Theater
/ Theaters
2024
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
A Note from the Editor
by
Shawyer, Susanne
in
Audience Response
/ Audiences
/ Comedies
/ Comedy
/ Editing
/ Editors
/ Empathy
/ Singing
/ Social order
/ Sondheim, Stephen
/ Theater
/ Theaters
2024
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Journal Article
A Note from the Editor
2024
Request Book From Autostore
and Choose the Collection Method
Overview
[...]Prologus reminds us that comedy offers “a happy ending, of course!” Comedy provides satisfying conclusions—perhaps with a marriage, a celebration, or the righting of social order. Comedy teases the disruption of social order: from the clever slave Pseudolus who wins his freedom to the Boy Bishop who rules the Feast of Fools to the farmworker replacing the patrón in the actos of El Teatro Campesino, comedy can suggest social and political alternatives to the status quo. [...]overlooked is analysis of the vocal and physical audience response to a comedy performance and the shared experience between performer and audience in the live moment.
This website uses cookies to ensure you get the best experience on our website.