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Barton Fink: Atmospheric Sounds of the Creative Mind
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Trade Publication Article
Barton Fink: Atmospheric Sounds of the Creative Mind
2009
Overview
According to Burwell (Barnes 2004) they had gone through the film scene by scene and divided up the frequency spectrum: a typical exchange would involve Lievsay saying he was going to use a high frequency sound for a particular item and Burwell offering music with a low frequency in response, or vice versa. [...]his momentary hesitation may be attributed to a subconscious fear that the sound-image of the advancing sea spray and sea foam means that he will be abandoned to his fate.3 The audible wash of the wave dissolves ominously into the low rumble of the deserted lobby. [...]every time Barton opens and closes his door a sudden rush of wind would enter the room as if the seal had been broken.7 Ultimately, this would suggest that the hotel room was a symbol for how Barton’s blind idealism isolated him from the real world. [...]this mode of production helps not only demonstrate the greater potential of the soundtrack, but it also affirms the benefits of closer collaboration among those responsible for its construction.
Publisher
Donato Totaro
