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Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
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Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
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Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’

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Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
Trade Publication Article

Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’

2021
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Overview
Ukrainian filmmaker Sergei Loznitsa has been a Cannes regular for the past decade, with three fiction features selected in Competition — My Joy in 2010, In The Fog in 2012 and A Gentle Creature in 2017 — while Donbass played Un Certain Regard in 2018, winning him the directing prize. There was also a newsreel showing episodes from this trial, and all mention of the Jews was edited out. [...]I’m doing another film for the Babi Yar Memorial, and we’re starting a documentary about Germany in World War Two and the Allied bombings of the German cities, based on WG Sebald’s essay On The Natural History Of Destruction.