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Learning to Die in London, 1380-1540
by
Amy Appleford
in
Death
/ Death in literature
/ Death-England-London
/ Death-England-London-Psychological aspects
/ Death-Political aspects-England-London
/ England
/ English literature
/ English literature-Middle English, 1100-1500-History and criticism
/ HISTORY
/ HISTORY / Europe / Medieval
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ Literature
/ London
/ Medieval
/ Medieval and Renaissance Studies
/ Middle English, 1100–1500
/ Political aspects
/ Psychological aspects
2014,2016,2015
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Learning to Die in London, 1380-1540
by
Amy Appleford
in
Death
/ Death in literature
/ Death-England-London
/ Death-England-London-Psychological aspects
/ Death-Political aspects-England-London
/ England
/ English literature
/ English literature-Middle English, 1100-1500-History and criticism
/ HISTORY
/ HISTORY / Europe / Medieval
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ Literature
/ London
/ Medieval
/ Medieval and Renaissance Studies
/ Middle English, 1100–1500
/ Political aspects
/ Psychological aspects
2014,2016,2015
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Do you wish to request the book?
Learning to Die in London, 1380-1540
by
Amy Appleford
in
Death
/ Death in literature
/ Death-England-London
/ Death-England-London-Psychological aspects
/ Death-Political aspects-England-London
/ England
/ English literature
/ English literature-Middle English, 1100-1500-History and criticism
/ HISTORY
/ HISTORY / Europe / Medieval
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ Literature
/ London
/ Medieval
/ Medieval and Renaissance Studies
/ Middle English, 1100–1500
/ Political aspects
/ Psychological aspects
2014,2016,2015
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Learning to Die in London, 1380-1540
2014,2016,2015
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Overview
Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380sjust a generation after the Black Deathand the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English \"art of dying\" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself.
In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collectionThe Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.
Publisher
University of Pennsylvania Press, Inc,University of Pennsylvania Press
Subject
ISBN
0812246691, 9780812246698, 9780812290479, 081229047X
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