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Acting in the Cinema
by
Naremore, James
in
academic
/ acting
/ actor
/ cinema
/ cinema studies
/ cinematic
/ cinematic history
/ famous actors
/ film acting
/ film actor
/ film analysis
/ film history
/ Film Studies
/ history of film
/ ideological
/ ideology
/ industrial
/ morals
/ Motion picture acting
/ Motion pictures
/ Motion pictures -- United States
/ movie theatre
/ movies
/ old hollywood
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / General
/ scholarly
/ screen
/ stage
/ technology
/ theatre
/ theatrical
/ United States
/ university
/ writing about film
1988,1990
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Acting in the Cinema
by
Naremore, James
in
academic
/ acting
/ actor
/ cinema
/ cinema studies
/ cinematic
/ cinematic history
/ famous actors
/ film acting
/ film actor
/ film analysis
/ film history
/ Film Studies
/ history of film
/ ideological
/ ideology
/ industrial
/ morals
/ Motion picture acting
/ Motion pictures
/ Motion pictures -- United States
/ movie theatre
/ movies
/ old hollywood
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / General
/ scholarly
/ screen
/ stage
/ technology
/ theatre
/ theatrical
/ United States
/ university
/ writing about film
1988,1990
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Do you wish to request the book?
Acting in the Cinema
by
Naremore, James
in
academic
/ acting
/ actor
/ cinema
/ cinema studies
/ cinematic
/ cinematic history
/ famous actors
/ film acting
/ film actor
/ film analysis
/ film history
/ Film Studies
/ history of film
/ ideological
/ ideology
/ industrial
/ morals
/ Motion picture acting
/ Motion pictures
/ Motion pictures -- United States
/ movie theatre
/ movies
/ old hollywood
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / General
/ scholarly
/ screen
/ stage
/ technology
/ theatre
/ theatrical
/ United States
/ university
/ writing about film
1988,1990
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Acting in the Cinema
1988,1990
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Overview
In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society. Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.
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