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Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940
by
Bishop, Nicola
in
20th century
/ Appreciation
/ Clerical personnel
/ Cultural heritage
/ Cultural history
/ England
/ Fiction
/ Forster, E M (1879-1970)
/ Genre
/ Landscape
/ Literary history
/ Literature
/ Masculinity
/ Men
/ Middle Ages
/ Middle class
/ National identity
/ Novels
/ Orwell, George (Eric Blair) (1903-1950)
/ Palimpsests
/ United Kingdom
/ Wells, H G (1866-1946)
2015
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Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940
by
Bishop, Nicola
in
20th century
/ Appreciation
/ Clerical personnel
/ Cultural heritage
/ Cultural history
/ England
/ Fiction
/ Forster, E M (1879-1970)
/ Genre
/ Landscape
/ Literary history
/ Literature
/ Masculinity
/ Men
/ Middle Ages
/ Middle class
/ National identity
/ Novels
/ Orwell, George (Eric Blair) (1903-1950)
/ Palimpsests
/ United Kingdom
/ Wells, H G (1866-1946)
2015
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Do you wish to request the book?
Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940
by
Bishop, Nicola
in
20th century
/ Appreciation
/ Clerical personnel
/ Cultural heritage
/ Cultural history
/ England
/ Fiction
/ Forster, E M (1879-1970)
/ Genre
/ Landscape
/ Literary history
/ Literature
/ Masculinity
/ Men
/ Middle Ages
/ Middle class
/ National identity
/ Novels
/ Orwell, George (Eric Blair) (1903-1950)
/ Palimpsests
/ United Kingdom
/ Wells, H G (1866-1946)
2015
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Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940
Journal Article
Ruralism, Masculinity, and National Identity: The Rambling Clerk in Fiction, 1900–1940
2015
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Overview
This article examines the place of the literary lower-middle-class clerk in the English landscape between ca. 1900 and 1940. It draws attention to “clerical literature”—as typified in works by Arnold Bennett, H. G. Wells, and Shan Bullock—and, more specifically, a subgenre that signposts the emergent interest in getting “back to the land.” At the heart of this subgenre of “rambling fiction,” the male clerical protagonist not only engages with the natural landscape on a journey through rural England but also explores notions of masculinity, heritage, and national identity. By focusing on middlebrow works, largely those written by former clerks themselves, this article argues that clerks were pioneers in drawing connections between a re-masculating exposure to the great outdoors—necessary for suburban, domesticated, office workers—and an appreciation of a particular palimpsest of England's history. In doing so, the clerk helped to popularize the continued association of medievalism, the South of England, and the rural “idyll.”
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