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Improving Dictation as an Aural-Skills Instructional Tool
by
Klonoski, Edward
in
Advanced Courses
/ Advanced Placement
/ Analysis
/ Auditory Training
/ Curricula
/ Direct Instruction
/ High school students
/ High Schools
/ Higher Education
/ Instructional Effectiveness
/ Intervals
/ Learning
/ Listening
/ Listening comprehension
/ Listening Skills
/ Management
/ Methods
/ Music
/ Music Education
/ Music in education
/ Music students
/ Music Theory
/ Musical chords
/ Musical Composition
/ Musical dictation
/ Musical meter
/ Musical rhythm
/ Perceptions
/ Rhythm
/ Skill development
/ Sound pitch
/ Study and teaching
/ Teaching Methods
/ Tonal harmony
/ Verbal Communication
2006
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Improving Dictation as an Aural-Skills Instructional Tool
by
Klonoski, Edward
in
Advanced Courses
/ Advanced Placement
/ Analysis
/ Auditory Training
/ Curricula
/ Direct Instruction
/ High school students
/ High Schools
/ Higher Education
/ Instructional Effectiveness
/ Intervals
/ Learning
/ Listening
/ Listening comprehension
/ Listening Skills
/ Management
/ Methods
/ Music
/ Music Education
/ Music in education
/ Music students
/ Music Theory
/ Musical chords
/ Musical Composition
/ Musical dictation
/ Musical meter
/ Musical rhythm
/ Perceptions
/ Rhythm
/ Skill development
/ Sound pitch
/ Study and teaching
/ Teaching Methods
/ Tonal harmony
/ Verbal Communication
2006
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Do you wish to request the book?
Improving Dictation as an Aural-Skills Instructional Tool
by
Klonoski, Edward
in
Advanced Courses
/ Advanced Placement
/ Analysis
/ Auditory Training
/ Curricula
/ Direct Instruction
/ High school students
/ High Schools
/ Higher Education
/ Instructional Effectiveness
/ Intervals
/ Learning
/ Listening
/ Listening comprehension
/ Listening Skills
/ Management
/ Methods
/ Music
/ Music Education
/ Music in education
/ Music students
/ Music Theory
/ Musical chords
/ Musical Composition
/ Musical dictation
/ Musical meter
/ Musical rhythm
/ Perceptions
/ Rhythm
/ Skill development
/ Sound pitch
/ Study and teaching
/ Teaching Methods
/ Tonal harmony
/ Verbal Communication
2006
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Journal Article
Improving Dictation as an Aural-Skills Instructional Tool
2006
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Overview
Many high schools in the U.S. offer Advanced Placement (AP) courses in music theory for students wishing to study music at the college level. Others devote part of the music curriculum to theory and aural-skills instruction, but do not offer AP courses. In either case, high school theory and aural-skills courses typically strive to cover all, or part, of the material presented in first-semester college theory and aural-skills courses. Music dictation is a mainstay in most college aural-skills classes, and the College Board advocates including dictation in AP music theory courses. However, dictation's effectiveness as a tool for developing listening skills varies considerably, depending on how dictation exercises are constructed and implemented. This article examines some traditional dictation practices, identifies perceptual skills required to listen to music critically, and offers strategies for acquiring and integrating broader listening skills that will more directly develop students' critical listening and musicianship. (Contains 3 figures and 5 notes.)
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