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The Vow to Testify: On the Gulag and Intertextual Economy of Literature (Karlo Štajner, Varlam Shalamov, Danilo Kiš)
by
Lugarić Vukas, Danijela
in
Aesthetics
/ Appropriation
/ Autobiographical literature
/ Autobiographies
/ Comparative Study of Literature
/ Concentration camps
/ Croatian Literature
/ Fiction
/ Intertextuality
/ Interwar Period (1920 - 1939)
/ Language usage
/ Literary criticism
/ Metaphor
/ Political history
/ Politics of History/Memory
/ Russian Literature
/ Serbian Literature
/ Testimony
/ Theory of Literature
2019
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The Vow to Testify: On the Gulag and Intertextual Economy of Literature (Karlo Štajner, Varlam Shalamov, Danilo Kiš)
by
Lugarić Vukas, Danijela
in
Aesthetics
/ Appropriation
/ Autobiographical literature
/ Autobiographies
/ Comparative Study of Literature
/ Concentration camps
/ Croatian Literature
/ Fiction
/ Intertextuality
/ Interwar Period (1920 - 1939)
/ Language usage
/ Literary criticism
/ Metaphor
/ Political history
/ Politics of History/Memory
/ Russian Literature
/ Serbian Literature
/ Testimony
/ Theory of Literature
2019
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The Vow to Testify: On the Gulag and Intertextual Economy of Literature (Karlo Štajner, Varlam Shalamov, Danilo Kiš)
by
Lugarić Vukas, Danijela
in
Aesthetics
/ Appropriation
/ Autobiographical literature
/ Autobiographies
/ Comparative Study of Literature
/ Concentration camps
/ Croatian Literature
/ Fiction
/ Intertextuality
/ Interwar Period (1920 - 1939)
/ Language usage
/ Literary criticism
/ Metaphor
/ Political history
/ Politics of History/Memory
/ Russian Literature
/ Serbian Literature
/ Testimony
/ Theory of Literature
2019
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The Vow to Testify: On the Gulag and Intertextual Economy of Literature (Karlo Štajner, Varlam Shalamov, Danilo Kiš)
Journal Article
The Vow to Testify: On the Gulag and Intertextual Economy of Literature (Karlo Štajner, Varlam Shalamov, Danilo Kiš)
2019
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Overview
Departing from the “aesthetics of unrepresentability” of testimonial literature and implied “belatedness and collapse of witnessing” (G. Agamben, Sh. Felman, D. Laub), the paper engages in the economic foundations of literature through analysis of symbolic meanings of economic metaphors in Štajner’s memoirs Seven Thousand Days in Siberia and Shalamov’s story Lend-Lease, and through illuminating different aspects of intertextual and intercultural exchange between Štajner’s memoirs and Kiš’s “pseudo-factual” fiction A Tomb for Boris Davidovich. What is testimony and can it be – considering the nature of the one who testifies and the language in which he testifies – “valid,” “valuable,” “useful,” to use the language of economy? Can we think about Kiš’s literary appropriation of Štajner’s memoirs as an outlet for reclaiming the voice not only of Štajner, but also of Kiš’s father, who perished in Auschwitz? What are the uses of economic hypothesis in literary studies?
Publisher
Instytut Slawistyki Polskiej Akademii Nauk,Institute of Slavic Studies, Polish Academy of Sciences,Institute of Slavic Studies, Polish Academy of Sciences (ISS PAS)
Subject
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