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Miranda Unchained
by
Mora-Rioja, Arturo
in
20th century
/ Characters
/ Commercials
/ Daughters
/ English literature
/ Equal rights
/ Family (Sociological Unit)
/ Fathers
/ Females
/ Feminism
/ Freedom
/ Freedoms
/ Gender equality
/ Gender equity
/ Gender inequality
/ Gender roles
/ Males
/ Marriage
/ Mass media images
/ Motion pictures
/ Parent Role
/ Patriarchy
/ Political power
/ Rape
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Social aspects
/ Spouses
/ Suffrage
/ Television
/ Television programs
/ Time
/ Womens rights
/ Womens suffrage
2025
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Miranda Unchained
by
Mora-Rioja, Arturo
in
20th century
/ Characters
/ Commercials
/ Daughters
/ English literature
/ Equal rights
/ Family (Sociological Unit)
/ Fathers
/ Females
/ Feminism
/ Freedom
/ Freedoms
/ Gender equality
/ Gender equity
/ Gender inequality
/ Gender roles
/ Males
/ Marriage
/ Mass media images
/ Motion pictures
/ Parent Role
/ Patriarchy
/ Political power
/ Rape
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Social aspects
/ Spouses
/ Suffrage
/ Television
/ Television programs
/ Time
/ Womens rights
/ Womens suffrage
2025
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Do you wish to request the book?
Miranda Unchained
by
Mora-Rioja, Arturo
in
20th century
/ Characters
/ Commercials
/ Daughters
/ English literature
/ Equal rights
/ Family (Sociological Unit)
/ Fathers
/ Females
/ Feminism
/ Freedom
/ Freedoms
/ Gender equality
/ Gender equity
/ Gender inequality
/ Gender roles
/ Males
/ Marriage
/ Mass media images
/ Motion pictures
/ Parent Role
/ Patriarchy
/ Political power
/ Rape
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Social aspects
/ Spouses
/ Suffrage
/ Television
/ Television programs
/ Time
/ Womens rights
/ Womens suffrage
2025
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Journal Article
Miranda Unchained
2025
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Overview
This paper examines the portrayal of female characters analogous to Miranda from William Shakespeare’s The Tempest in four audiovisual adaptations: the short black-and-white film The Tempest (Stow, 1908), the film Forbidden Planet (Wilcox, 1956), the episode “Requiem for Methuselah” from the TV series Star Trek (Bixby & Golden, 1969), and the Ikea TV commercial “Beds” (Cabral, 2014). Using gender theory alongside a semi-neo-historicist approach, my analysis contrasts the representation of these characters with the status of women’s rights in the corresponding historical periods. This study evaluates whether these portrayals reflect or challenge contemporaneous gender norms and societal roles and traces the broader evolution of gender equality and feminine freedom in the Western world from the 20th century to today. The findings suggest a generally positive trajectory, although often more progressive than that of the four productions’ historical realities.
Publisher
Servicio de Publicaciones de la Universidad de Murcia (Murcia University Press),Universidad de Murcia, Facultad de Letras
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