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Fine art insurance policies and risk perceptions: The case of Malta
by
Grima, Simon
, Spiteri, Jonathan V
, Romanova, Inna
, Pavia, Luke
in
Academic disciplines
/ Art galleries & museums
/ Art markets
/ Art theft
/ Church buildings
/ Demographics
/ fine art insurance
/ Fine arts
/ Forgery
/ Insurance companies
/ Insurance industry
/ Insurance policies
/ insurance policy
/ Perceptions
/ risk perception
/ risks
2021
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Fine art insurance policies and risk perceptions: The case of Malta
by
Grima, Simon
, Spiteri, Jonathan V
, Romanova, Inna
, Pavia, Luke
in
Academic disciplines
/ Art galleries & museums
/ Art markets
/ Art theft
/ Church buildings
/ Demographics
/ fine art insurance
/ Fine arts
/ Forgery
/ Insurance companies
/ Insurance industry
/ Insurance policies
/ insurance policy
/ Perceptions
/ risk perception
/ risks
2021
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Do you wish to request the book?
Fine art insurance policies and risk perceptions: The case of Malta
by
Grima, Simon
, Spiteri, Jonathan V
, Romanova, Inna
, Pavia, Luke
in
Academic disciplines
/ Art galleries & museums
/ Art markets
/ Art theft
/ Church buildings
/ Demographics
/ fine art insurance
/ Fine arts
/ Forgery
/ Insurance companies
/ Insurance industry
/ Insurance policies
/ insurance policy
/ Perceptions
/ risk perception
/ risks
2021
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Fine art insurance policies and risk perceptions: The case of Malta
Journal Article
Fine art insurance policies and risk perceptions: The case of Malta
2021
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Overview
The aim of this paper is to identify the risks that need to be addressed when holding fine art, determine which are perceived as being the most important, and whether the risk perception is influenced by demographic variables such as age, educational background, and field of occupation. To identify the risks and evaluate the risk perception, we used a purposely designed questionnaire and sent it via various sources of communication systems and applications to individuals knowledgeable on fine arts. Findings revealed that, generally, art deterioration, art fraud, and art theft are the three main highlighted risks, with art deterioration considered in the high-risk range. In terms of risk perception, forgery is the biggest concern. On the other hand, considerations of the investment value of art lessened perceived risk exposure. Furthermore, the study has shown that certain risk perceptions were influenced by the participants' demographic variables. Both the identified risks and risk perception considerations analyzed within this study provide us with insights as to what needs to be considered when offering fine art insurance, particularly when it comes to which risks that are perceived as being the most pressing by potential policyholders, and how these perceptions vary according to individual demographics variables as noted above.
Publisher
MDPI,MDPI AG
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