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Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
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Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
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Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
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Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869
Journal Article

Alice Arden to Bill Sikes: Changing Nightmares of Intimate Violence in England, 1558–1869

2001
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Overview
Let us begin with two scenes of intimate violence. First, consider a man, a woman, and three male “guests” in a well-furnished locked room. Suddenly one of the men strikes the host, and another stabs him, and he falls to the floor. At this moment the woman steps forward (she had previously tried to poison him), seizes the knife, and plunges it home, crying, “Take this for hind'ring Mosby's love and mine.” Alice Arden, with the help of her new lover, a servant, and his avaricious accomplices, has murdered her landowner husband. So climaxes Arden of Feversham, a powerful play (frequently attributed to Shakespeare) first performed in 1592 and based upon an actual murder that took place in 1551. This murder “assumed an almost totemic significance in early modern culture,” reappearing in a great variety of forms over the following century (even as a puppet show), with Alice, among other things, ranked with the classical uxoricides Clytemnestra and Livia. Consider another scene, set several centuries later: this is a starker setting, only two figures in a bare and shabby room. A ragged woman is pleading with her lover for her life, and she is urging him that it is not too late for both to repent of their former lives. Her lover, a fierce and powerful man, stands over her, nostrils dilated, grasping a pistol. Fearful of being heard, he does not fire, but instead strikes her twice with the handle, then seizes a heavy club and beats her down.
Publisher
Cambridge University Press,University of Chicago Press
Subject

Anthropology, Cultural - education

/ Anthropology, Cultural - history

/ Anxiety Disorders - economics

/ Anxiety Disorders - ethnology

/ Anxiety Disorders - history

/ Anxiety Disorders - psychology

/ Criminal justice

/ Criminality

/ Crying

/ Cultural Characteristics

/ Domestic Violence - economics

/ Domestic Violence - ethnology

/ Domestic Violence - history

/ Domestic Violence - legislation & jurisprudence

/ Domestic Violence - psychology

/ Dreams - physiology

/ Dreams - psychology

/ Early modern history

/ Emotions - physiology

/ England

/ England - ethnology

/ Gender Identity

/ Gender roles

/ Grasping

/ History, 16th Century

/ History, 17th Century

/ History, 18th Century

/ History, 19th Century

/ Homicide

/ Homicide - economics

/ Homicide - ethnology

/ Homicide - history

/ Homicide - legislation & jurisprudence

/ Homicide - psychology

/ Interpersonal Relations

/ Killing

/ Literature

/ Men

/ Men - education

/ Men - psychology

/ Murder

/ Murders & murder attempts

/ Shakespeare, William (1564-1616)

/ Social Dominance

/ Social Identification

/ Social Perception

/ Spousal abuse

/ Trials

/ United Kingdom

/ Victims

/ Victorians

/ Violence

/ Violence - economics

/ Violence - ethnology

/ Violence - history

/ Violence - legislation & jurisprudence

/ Violence - psychology

/ Violence against women

/ Violent crimes

/ Women

/ Women - education

/ Women - history

/ Women - psychology

/ Women's Health - economics

/ Women's Health - ethnology

/ Women's Health - history

/ Women's Health - legislation & jurisprudence

/ Women's Rights - economics

/ Women's Rights - education

/ Women's Rights - history

/ Women's Rights - legislation & jurisprudence