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Children’s literature in/and translation: The oeuvre as corpus
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Children’s literature in/and translation: The oeuvre as corpus
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Journal Article
Children’s literature in/and translation: The oeuvre as corpus
2018
Overview
In this article, I argue that whereas Lewis Carroll builds the fantastic world of Alice’s dreams primarily through narration, Hans Christian Andersen uses patterns of lexical choices that recur throughout his opus to build a universe divided solely in terms of a distinction between what is genuine and what is artificial; and this distinction is a central player in all of his work. Arguably, therefore, attention to Andersen’s wider corpus, and to his use of lexis in it, are key to producing translations of Andersen’s work that reflect its essence.
Publisher
Universidade Federal de Santa Catarina, UFSC Centro de Comunicação e Expressão,Universidade Federal de Santa Catarina
