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Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)
by
Porter, David Andrew
in
16th century
/ biblical narrative poetry
/ Christianity
/ Dramatists
/ fall of Satan
/ Genre
/ History
/ Humanism
/ John Milton
/ Latin language
/ Naogeorgus, Thomas
/ Persius (Aulus Persius Flaccus) (34-62)
/ Playwrights
/ Plutarch (46?-120?)
/ Poetry
/ Reformation
/ Religious satire
/ satire
/ Theology
/ Thomas Naogeorgus
/ Translations
/ Translations and translating
/ Works
2025
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Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)
by
Porter, David Andrew
in
16th century
/ biblical narrative poetry
/ Christianity
/ Dramatists
/ fall of Satan
/ Genre
/ History
/ Humanism
/ John Milton
/ Latin language
/ Naogeorgus, Thomas
/ Persius (Aulus Persius Flaccus) (34-62)
/ Playwrights
/ Plutarch (46?-120?)
/ Poetry
/ Reformation
/ Religious satire
/ satire
/ Theology
/ Thomas Naogeorgus
/ Translations
/ Translations and translating
/ Works
2025
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Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)
by
Porter, David Andrew
in
16th century
/ biblical narrative poetry
/ Christianity
/ Dramatists
/ fall of Satan
/ Genre
/ History
/ Humanism
/ John Milton
/ Latin language
/ Naogeorgus, Thomas
/ Persius (Aulus Persius Flaccus) (34-62)
/ Playwrights
/ Plutarch (46?-120?)
/ Poetry
/ Reformation
/ Religious satire
/ satire
/ Theology
/ Thomas Naogeorgus
/ Translations
/ Translations and translating
/ Works
2025
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Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)
Journal Article
Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)
2025
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Overview
This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserting direct literary influence, it highlights Naogeorgus’s unique contributions to the broader literary tradition of Christian epic poetry. The paper calls for greater scholarly attention to Naogeorgus’s oeuvre, emphasizing its value beyond mere comparative analyses, as a distinctive voice in Reformation humanist verse. By providing a translation and commentary, this work aims to promote further studies of neo-Latin literature and its complex interplay with theological and literary traditions.
Publisher
MDPI AG
Subject
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