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Shakespeare: A Dove, a Hawk, or Simply a Humanist?
by
Meron, Theodor
in
Analysis
/ Atrocities
/ Criticism and interpretation
/ Dramatists
/ Elizabethan drama
/ English literature
/ Human rights
/ Humanism
/ International law
/ International relations
/ Law and literature (Jurisprudence)
/ Militarism
/ Motion pictures
/ Nationalism
/ NOTES AND COMMENTS
/ Pacifism
/ Patriotism
/ Propaganda
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ War
/ War (International law)
/ World War II
2017
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Shakespeare: A Dove, a Hawk, or Simply a Humanist?
by
Meron, Theodor
in
Analysis
/ Atrocities
/ Criticism and interpretation
/ Dramatists
/ Elizabethan drama
/ English literature
/ Human rights
/ Humanism
/ International law
/ International relations
/ Law and literature (Jurisprudence)
/ Militarism
/ Motion pictures
/ Nationalism
/ NOTES AND COMMENTS
/ Pacifism
/ Patriotism
/ Propaganda
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ War
/ War (International law)
/ World War II
2017
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Do you wish to request the book?
Shakespeare: A Dove, a Hawk, or Simply a Humanist?
by
Meron, Theodor
in
Analysis
/ Atrocities
/ Criticism and interpretation
/ Dramatists
/ Elizabethan drama
/ English literature
/ Human rights
/ Humanism
/ International law
/ International relations
/ Law and literature (Jurisprudence)
/ Militarism
/ Motion pictures
/ Nationalism
/ NOTES AND COMMENTS
/ Pacifism
/ Patriotism
/ Propaganda
/ Shakespeare plays
/ Shakespeare, William (1564-1616)
/ Shakespeare, William (English playwright)
/ Theater
/ War
/ War (International law)
/ World War II
2017
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Journal Article
Shakespeare: A Dove, a Hawk, or Simply a Humanist?
2017
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Overview
For readers whose first introduction to Shakespeare was through the widely seen film Henry V by Laurence Olivier, it is not surprising that Shakespeare was regarded as a patriotic, nationalistic and militaristic, rather pro-war playwright. Olivier's Henry V, as Ton Hoenselaars points out in his “Out-Ranting the Enemy Leader”: Henry V and/as World War II Propaganda, was entrenched in the British propaganda effort even before the thought of the film version of the war epic had occurred. Indeed, the film resulted from an invitation to produce it for the Churchill government. According to William Shaw, Olivier's film produced uplifting, patriotic propaganda for a war-weary England. It was the first Shakespeare play produced in Technicolor.
Publisher
Cambridge University Press,Cambridge University Press on behalf of the American Society of International Law
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