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Film as Medium and the German Aesthetic Tradition
by
Pollmann, Inga
in
Aesthetic Education
/ Aesthetics
/ Analysis
/ Criticism and interpretation
/ Females
/ Feminism
/ Feminist film theory
/ Film criticism
/ Film music
/ Film studies
/ Film Study
/ Film theory
/ German literature
/ Motion picture industry
/ Motion pictures
/ Motion pictures, German
/ Music
/ Musical aesthetics
/ Nationalism
/ Phenomenology
/ Photography
/ Responses
/ Studies
/ System theory
/ Systems Approach
/ Theaters
/ Traditions
/ Visual fixation
2012
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Film as Medium and the German Aesthetic Tradition
by
Pollmann, Inga
in
Aesthetic Education
/ Aesthetics
/ Analysis
/ Criticism and interpretation
/ Females
/ Feminism
/ Feminist film theory
/ Film criticism
/ Film music
/ Film studies
/ Film Study
/ Film theory
/ German literature
/ Motion picture industry
/ Motion pictures
/ Motion pictures, German
/ Music
/ Musical aesthetics
/ Nationalism
/ Phenomenology
/ Photography
/ Responses
/ Studies
/ System theory
/ Systems Approach
/ Theaters
/ Traditions
/ Visual fixation
2012
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Do you wish to request the book?
Film as Medium and the German Aesthetic Tradition
by
Pollmann, Inga
in
Aesthetic Education
/ Aesthetics
/ Analysis
/ Criticism and interpretation
/ Females
/ Feminism
/ Feminist film theory
/ Film criticism
/ Film music
/ Film studies
/ Film Study
/ Film theory
/ German literature
/ Motion picture industry
/ Motion pictures
/ Motion pictures, German
/ Music
/ Musical aesthetics
/ Nationalism
/ Phenomenology
/ Photography
/ Responses
/ Studies
/ System theory
/ Systems Approach
/ Theaters
/ Traditions
/ Visual fixation
2012
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Journal Article
Film as Medium and the German Aesthetic Tradition
2012
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Overview
While film might serve as illustration for history lessons, this has nothing to do with film studies proper. [...] I would like to propose an understanding of German film studies that has been neglected so far, and that is the way that film studies might engage German aesthetic theory.
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