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DWARFING DIFFERENCE: Deformity at the Threshold of the Visible in Bemberg's \I Don't Want to Talk About It\
by
WILLIAMS, BRUCE
in
Circuses
/ Dwarfing
/ Femininity
/ Feminist film theory
/ Film criticism
/ Horror fiction
/ Mothers
/ Movies
/ Protagonists
/ Visual fixation
1999
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DWARFING DIFFERENCE: Deformity at the Threshold of the Visible in Bemberg's \I Don't Want to Talk About It\
by
WILLIAMS, BRUCE
in
Circuses
/ Dwarfing
/ Femininity
/ Feminist film theory
/ Film criticism
/ Horror fiction
/ Mothers
/ Movies
/ Protagonists
/ Visual fixation
1999
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DWARFING DIFFERENCE: Deformity at the Threshold of the Visible in Bemberg's \I Don't Want to Talk About It\
Journal Article
DWARFING DIFFERENCE: Deformity at the Threshold of the Visible in Bemberg's \I Don't Want to Talk About It\
1999
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Overview
Dans le film I Don't Want to Talk About It, de María Luisa Bemberg, la difformité et le carnavalesque convergent pour offrir un portrait de l'Autre qui est à la fois sensible et potentiellement habilitant au niveau politique. A l'intersection des dynamiques du regard et de l'inscription de la difformité, le film dénonce les insuffisances inhérentes aux taxonomies traditionnelles du grotesque. Le film invite le spectateur à relativiser la notion de différence et à chercher de nouveaux paradigmes reliés à la difformité qui ne se limitent pas aux idées d'homogénéité et d'idéal essentialiste.
Publisher
Film Studies Association of Canada / Association canadienne d'études cinématographiques
Subject
MBRLCatalogueRelatedBooks
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