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From Africa Palace to AfricaMuseum
by
Shelby, Karen
in
Africa Palace
/ AfricaMuseum
/ Art Nouveau
/ Congo
/ decolonialization
/ Ethnography
/ History
/ King Leopold II
/ Kings and rulers
/ Landscape architecture
/ Leopold II, King of Belgium
/ Missionaries
/ Modernism
/ Museums
/ Name changes
/ Politics
/ Rubber
/ Social aspects
2025
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From Africa Palace to AfricaMuseum
by
Shelby, Karen
in
Africa Palace
/ AfricaMuseum
/ Art Nouveau
/ Congo
/ decolonialization
/ Ethnography
/ History
/ King Leopold II
/ Kings and rulers
/ Landscape architecture
/ Leopold II, King of Belgium
/ Missionaries
/ Modernism
/ Museums
/ Name changes
/ Politics
/ Rubber
/ Social aspects
2025
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Do you wish to request the book?
From Africa Palace to AfricaMuseum
by
Shelby, Karen
in
Africa Palace
/ AfricaMuseum
/ Art Nouveau
/ Congo
/ decolonialization
/ Ethnography
/ History
/ King Leopold II
/ Kings and rulers
/ Landscape architecture
/ Leopold II, King of Belgium
/ Missionaries
/ Modernism
/ Museums
/ Name changes
/ Politics
/ Rubber
/ Social aspects
2025
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Journal Article
From Africa Palace to AfricaMuseum
2025
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Overview
In 1897, King Leopold II of Belgium opened the Brussels International Exposition, which, in the Palace of the Colonies, showcased objects and people from the Congo Free State. They were displayed as the property of the King, who was the founder and sole owner of the Congo Free State from 1885 to 1908. The Palace of the Colonies was a combination of classically inspired imperial architecture and references to the Congo. The exposition was a huge success. As a result, the King built Africa Palace, a permanent ethnographic museum dedicated to his idea of Congo. It was located adjacent to his palace in Tervuren, now a suburb outside of Brussels. In 2018, the museum reopened as AfricaMuseum. This paper examines the inherent colonial frame of AfricaMuseum, both physically and ideologically, that continue to limit a significant socio-political shift for the museum, and the contemporary art pieces by Congolese and Burundian artists that have been tasked with the heavy lifting in shifting the narrative.
Publisher
MDPI AG
Subject
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