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Lo sagrado y lo profano en la poesía de Ivonne Gordon
by
Rogers, V Daniel
in
Anthologies
/ Antologías
/ Ecuador
/ Ecuadorian literature
/ Feminism
/ Feminismo
/ Gordon, Ivonne
/ Hebrew language
/ Image and literature
/ Imagen y literatura
/ Judaism
/ Judaísmo
/ Lengua hebrea
/ Literatura ecuatoriana
/ Marginalidad
/ Marginality
/ poesía
/ Poesía femenina
/ Poetry
/ Poets
/ Subalternidad
/ Subalternity
/ subalterno
/ Subjectivity
/ subjetividad
/ Women's poetry
2020
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Lo sagrado y lo profano en la poesía de Ivonne Gordon
by
Rogers, V Daniel
in
Anthologies
/ Antologías
/ Ecuador
/ Ecuadorian literature
/ Feminism
/ Feminismo
/ Gordon, Ivonne
/ Hebrew language
/ Image and literature
/ Imagen y literatura
/ Judaism
/ Judaísmo
/ Lengua hebrea
/ Literatura ecuatoriana
/ Marginalidad
/ Marginality
/ poesía
/ Poesía femenina
/ Poetry
/ Poets
/ Subalternidad
/ Subalternity
/ subalterno
/ Subjectivity
/ subjetividad
/ Women's poetry
2020
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Do you wish to request the book?
Lo sagrado y lo profano en la poesía de Ivonne Gordon
by
Rogers, V Daniel
in
Anthologies
/ Antologías
/ Ecuador
/ Ecuadorian literature
/ Feminism
/ Feminismo
/ Gordon, Ivonne
/ Hebrew language
/ Image and literature
/ Imagen y literatura
/ Judaism
/ Judaísmo
/ Lengua hebrea
/ Literatura ecuatoriana
/ Marginalidad
/ Marginality
/ poesía
/ Poesía femenina
/ Poetry
/ Poets
/ Subalternidad
/ Subalternity
/ subalterno
/ Subjectivity
/ subjetividad
/ Women's poetry
2020
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Journal Article
Lo sagrado y lo profano en la poesía de Ivonne Gordon
2020
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Overview
Este artículo desarrolla un acercamiento a la poesía de la escritora ecuatoriana Ivonne Gordon Vailakis, con énfasis en su antología Manzanilla del insomnio (2002). El autor presta atención al uso de palabras e imágenes provenientes del hebreo; ve la poesía de Gordon como un acercamiento al tema de la transgresión de fronteras lingüísticas y culturales partiendo del concepto de la “zona de contacto” empleado por Mary Louise Pratt. El texto examina el estatus marginal de la voz poética en esta colección de poemas de Gordon Vailakis.
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