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Food, Decay, and Disgust
by
ANJA FOERSCHNER
in
Aesthetics
/ Applied aesthetics
/ Applied sciences
/ Axiology
/ Behavioral sciences
/ Cognitive psychology
/ Cooking
/ Culinary arts
/ Disgust
/ Emotion
/ Emotional states
/ Food
/ Food consumption
/ Food economics
/ Food history
/ Food preparation
/ Food science
/ Food studies
/ Foodstuffs
/ Foodways
/ Gastronomy
/ Organic foods
/ Philosophy
/ Pleasure
/ Psychology
/ Social sciences
2017
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Food, Decay, and Disgust
by
ANJA FOERSCHNER
in
Aesthetics
/ Applied aesthetics
/ Applied sciences
/ Axiology
/ Behavioral sciences
/ Cognitive psychology
/ Cooking
/ Culinary arts
/ Disgust
/ Emotion
/ Emotional states
/ Food
/ Food consumption
/ Food economics
/ Food history
/ Food preparation
/ Food science
/ Food studies
/ Foodstuffs
/ Foodways
/ Gastronomy
/ Organic foods
/ Philosophy
/ Pleasure
/ Psychology
/ Social sciences
2017
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Do you wish to request the book?
Food, Decay, and Disgust
by
ANJA FOERSCHNER
in
Aesthetics
/ Applied aesthetics
/ Applied sciences
/ Axiology
/ Behavioral sciences
/ Cognitive psychology
/ Cooking
/ Culinary arts
/ Disgust
/ Emotion
/ Emotional states
/ Food
/ Food consumption
/ Food economics
/ Food history
/ Food preparation
/ Food science
/ Food studies
/ Foodstuffs
/ Foodways
/ Gastronomy
/ Organic foods
/ Philosophy
/ Pleasure
/ Psychology
/ Social sciences
2017
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Food, Decay, and Disgust
2017
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Overview
In the wake of the reformation, which transformed Dutch society in the sixteenth and seventeenth centuries, art was no longer reserved for churches and religious purposes, but rather found its way into the private realm.¹ Food still lifes were among the genres that quickly gained popularity. Tables richly decorated with meats and exotic fruit, shellfish, wine, and opulent cakes, appealing to the senses were created by artists such as Pieter Claesz, Willem Claesz, Willem Heda, or Jan Davidsz de Heem for private enjoyment. One could marvel at the artists’ exquisite skills in depicting their subject matter in photographic detail, finely
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