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The Human Faith Theme and the Whole-Tone Hypothesis
by
Gann, Kyle
in
American Music
/ Art music
/ Arts
/ Beethoven’s Fifth Symphony
/ Chamber music
/ Consonant intervals
/ Flutes
/ harmonic series
/ High culture
/ Imperfect consonances
/ Instrumental music
/ Literary analysis
/ Literary criticism
/ Literary studies
/ Literature
/ Major intervals
/ Martyn
/ Melody
/ Music
/ Music analysis
/ Music theory
/ Musical chords
/ Musical instruments
/ Musical intervals
/ Musical keys
/ Musical modes
/ Musical motives
/ Musical pitch
/ Musical scales
/ Performing arts
/ Pythagorean tuning
/ Sonatas
/ Thematic analysis
/ Thoreau
/ Tonal theory
/ Western art music
/ Whole tone scales
/ Whole-tone scale
/ Wind instruments
/ “Hammerklavier” Sonata (Beethoven)
2017
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The Human Faith Theme and the Whole-Tone Hypothesis
by
Gann, Kyle
in
American Music
/ Art music
/ Arts
/ Beethoven’s Fifth Symphony
/ Chamber music
/ Consonant intervals
/ Flutes
/ harmonic series
/ High culture
/ Imperfect consonances
/ Instrumental music
/ Literary analysis
/ Literary criticism
/ Literary studies
/ Literature
/ Major intervals
/ Martyn
/ Melody
/ Music
/ Music analysis
/ Music theory
/ Musical chords
/ Musical instruments
/ Musical intervals
/ Musical keys
/ Musical modes
/ Musical motives
/ Musical pitch
/ Musical scales
/ Performing arts
/ Pythagorean tuning
/ Sonatas
/ Thematic analysis
/ Thoreau
/ Tonal theory
/ Western art music
/ Whole tone scales
/ Whole-tone scale
/ Wind instruments
/ “Hammerklavier” Sonata (Beethoven)
2017
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Do you wish to request the book?
The Human Faith Theme and the Whole-Tone Hypothesis
by
Gann, Kyle
in
American Music
/ Art music
/ Arts
/ Beethoven’s Fifth Symphony
/ Chamber music
/ Consonant intervals
/ Flutes
/ harmonic series
/ High culture
/ Imperfect consonances
/ Instrumental music
/ Literary analysis
/ Literary criticism
/ Literary studies
/ Literature
/ Major intervals
/ Martyn
/ Melody
/ Music
/ Music analysis
/ Music theory
/ Musical chords
/ Musical instruments
/ Musical intervals
/ Musical keys
/ Musical modes
/ Musical motives
/ Musical pitch
/ Musical scales
/ Performing arts
/ Pythagorean tuning
/ Sonatas
/ Thematic analysis
/ Thoreau
/ Tonal theory
/ Western art music
/ Whole tone scales
/ Whole-tone scale
/ Wind instruments
/ “Hammerklavier” Sonata (Beethoven)
2017
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The Human Faith Theme and the Whole-Tone Hypothesis
2017
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Overview
It is a curious fact that in ninety-five years no one has published a detailed analysis of theConcordSonata. Interestingly, there are, as we will discuss, previous analyses of its less celebrated sibling the First Piano Sonata. There are analyses of many other Ives pieces in existence, particularly the songs and shorter chamber works. The songs are brief and their techniques often driven by textual concerns; many of the chamber works have mechanistic aspects or are written to explore some technical device. With theConcordSonata, though, we have a large, sprawling Romantic structure with some programmatic elements, though
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