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FALLING MAN FICTION
by
GEORGIANA BANITA
in
Anti smoking movements
/ Arts
/ Behavioral sciences
/ Cigarette smoking
/ Cognitive psychology
/ Communications
/ Communications media
/ Criminal law
/ Criminal offenses
/ Emotion
/ Emotional states
/ Fear
/ Federal criminal offenses
/ Fiction
/ Human behavior
/ Human societies
/ Killing
/ Law
/ Literary genres
/ Literature
/ Narratives
/ Novels
/ Psychology
/ Recreational drug use
/ Social movements
/ Social sciences
/ Sociology
/ Suicide
/ Terrorism
/ Tobacco smoking
/ Tobacco use
/ Violence
/ Visual materials
2012
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FALLING MAN FICTION
by
GEORGIANA BANITA
in
Anti smoking movements
/ Arts
/ Behavioral sciences
/ Cigarette smoking
/ Cognitive psychology
/ Communications
/ Communications media
/ Criminal law
/ Criminal offenses
/ Emotion
/ Emotional states
/ Fear
/ Federal criminal offenses
/ Fiction
/ Human behavior
/ Human societies
/ Killing
/ Law
/ Literary genres
/ Literature
/ Narratives
/ Novels
/ Psychology
/ Recreational drug use
/ Social movements
/ Social sciences
/ Sociology
/ Suicide
/ Terrorism
/ Tobacco smoking
/ Tobacco use
/ Violence
/ Visual materials
2012
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Do you wish to request the book?
FALLING MAN FICTION
by
GEORGIANA BANITA
in
Anti smoking movements
/ Arts
/ Behavioral sciences
/ Cigarette smoking
/ Cognitive psychology
/ Communications
/ Communications media
/ Criminal law
/ Criminal offenses
/ Emotion
/ Emotional states
/ Fear
/ Federal criminal offenses
/ Fiction
/ Human behavior
/ Human societies
/ Killing
/ Law
/ Literary genres
/ Literature
/ Narratives
/ Novels
/ Psychology
/ Recreational drug use
/ Social movements
/ Social sciences
/ Sociology
/ Suicide
/ Terrorism
/ Tobacco smoking
/ Tobacco use
/ Violence
/ Visual materials
2012
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Book Chapter
FALLING MAN FICTION
2012
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Overview
David Friend’s visual record of post-9/11 New York, documenting and analyzing the stories behind the powerful images of that day, opens with the troubling sentence “The eyes were everywhere” (xv). This remark—initially meant to suggest the sheer number of cameras and recording devices aimed at the towers, as well as the stunned reactions of witnesses to the attacks—aptly describes literary representations of the 9/11 events. The attacks have gelled into stock images that recur obsessively in post-9/11 literature, pointing to a deep-seated traumatic reaction on both a visual and a textual level. Many literary depictions of September 11
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