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CAMOUFLAGE AND THE RE-ENCHANTMENT OF WARFARE
by
Mark Rawlinson
in
Applied sciences
/ Armed conflict
/ Armed forces
/ Arts
/ Business
/ Clothing industry
/ Command and control
/ Consumer goods industries
/ Engineering
/ Industrial sectors
/ Industry
/ Literary genres
/ Literature
/ Manufacturing industries
/ Military camouflage
/ Military engineering
/ Military personnel
/ Military science
/ Military tactics
/ Military technology
/ Military uniforms
/ Pastoral poetry
/ Poetic movements
/ Poetry
/ Political science
/ Soldiers
/ Uniforms
/ War
/ War theaters
/ Warfare
/ World wars
2012
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CAMOUFLAGE AND THE RE-ENCHANTMENT OF WARFARE
by
Mark Rawlinson
in
Applied sciences
/ Armed conflict
/ Armed forces
/ Arts
/ Business
/ Clothing industry
/ Command and control
/ Consumer goods industries
/ Engineering
/ Industrial sectors
/ Industry
/ Literary genres
/ Literature
/ Manufacturing industries
/ Military camouflage
/ Military engineering
/ Military personnel
/ Military science
/ Military tactics
/ Military technology
/ Military uniforms
/ Pastoral poetry
/ Poetic movements
/ Poetry
/ Political science
/ Soldiers
/ Uniforms
/ War
/ War theaters
/ Warfare
/ World wars
2012
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Do you wish to request the book?
CAMOUFLAGE AND THE RE-ENCHANTMENT OF WARFARE
by
Mark Rawlinson
in
Applied sciences
/ Armed conflict
/ Armed forces
/ Arts
/ Business
/ Clothing industry
/ Command and control
/ Consumer goods industries
/ Engineering
/ Industrial sectors
/ Industry
/ Literary genres
/ Literature
/ Manufacturing industries
/ Military camouflage
/ Military engineering
/ Military personnel
/ Military science
/ Military tactics
/ Military technology
/ Military uniforms
/ Pastoral poetry
/ Poetic movements
/ Poetry
/ Political science
/ Soldiers
/ Uniforms
/ War
/ War theaters
/ Warfare
/ World wars
2012
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CAMOUFLAGE AND THE RE-ENCHANTMENT OF WARFARE
2012
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Overview
At the beginning of the twentieth century the pictorial conventions of the battle painting were challenged first by drab uniforms and then by camouflage. The look of war had changed, for tactical and strategic ends. Camouflage (schemes of disguise and deception first named as such during the First World War) was a technological response to developments in the range and accuracy of ordnance (longer-range small arms and the aerial direction of artillery). As is suggested by the cultural impact of the dazzle painting of military and merchant shipping (a making-strange, in Russian Formalist terminology, intended to impede the aiming of
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