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The Institution of Meter
by
MEREDITH MARTIN
in
Applied philosophy
/ Arts
/ Classical education
/ Classical poetry
/ Educational philosophies
/ English meter
/ English poetry
/ George Saintsbury
/ Gerard Manley Hopkins
/ Iamb
/ Language
/ Linguistics
/ Literary criticism
/ Literary genres
/ Literary studies
/ Literary Theory and Cultural Studies
/ Literature
/ Love poetry
/ metrical mastery
/ Milton's Prosody
/ Philosophy
/ Philosophy of education
/ Phonology
/ Poetic feet
/ Poetic forms
/ Poetic meter
/ Poetic movements
/ Poetry
/ prosody
/ Robert Bridges
/ Sonnets
/ Speech segments
/ Syllables
2012
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The Institution of Meter
by
MEREDITH MARTIN
in
Applied philosophy
/ Arts
/ Classical education
/ Classical poetry
/ Educational philosophies
/ English meter
/ English poetry
/ George Saintsbury
/ Gerard Manley Hopkins
/ Iamb
/ Language
/ Linguistics
/ Literary criticism
/ Literary genres
/ Literary studies
/ Literary Theory and Cultural Studies
/ Literature
/ Love poetry
/ metrical mastery
/ Milton's Prosody
/ Philosophy
/ Philosophy of education
/ Phonology
/ Poetic feet
/ Poetic forms
/ Poetic meter
/ Poetic movements
/ Poetry
/ prosody
/ Robert Bridges
/ Sonnets
/ Speech segments
/ Syllables
2012
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Do you wish to request the book?
The Institution of Meter
by
MEREDITH MARTIN
in
Applied philosophy
/ Arts
/ Classical education
/ Classical poetry
/ Educational philosophies
/ English meter
/ English poetry
/ George Saintsbury
/ Gerard Manley Hopkins
/ Iamb
/ Language
/ Linguistics
/ Literary criticism
/ Literary genres
/ Literary studies
/ Literary Theory and Cultural Studies
/ Literature
/ Love poetry
/ metrical mastery
/ Milton's Prosody
/ Philosophy
/ Philosophy of education
/ Phonology
/ Poetic feet
/ Poetic forms
/ Poetic meter
/ Poetic movements
/ Poetry
/ prosody
/ Robert Bridges
/ Sonnets
/ Speech segments
/ Syllables
2012
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Book Chapter
The Institution of Meter
2012
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Overview
Robert Bridges’s experimental and dynamic poetic forms (and his discussions of these forms) were central to the changing perception of English meter from the late Victorian to the postwar period. Bridges’s role in the prosody wars, in particular, complicates the accepted narrative of the rise of free verse, and shows how the consolidated concept of traditional meters was challenged not only from the modernist avant-garde but also from poets who had been expanding the concept of English meter throughout the late nineteenth century. The dynamism of meter in English and Bridges’s deep commitment, not unlike that of Ezra Pound’s, to
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