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The Masterpiece
by
SOFIA MOSHEVICH
in
Aesthetic objects
/ Aesthetics
/ Anatomy
/ Anthropology
/ Applied anthropology
/ Art education
/ Art music
/ Art objects
/ Art songs
/ Arts
/ Arts participation
/ Axiology
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cultural anthropology
/ Extremities
/ Fiction
/ Folk culture
/ Folk literature
/ Folk music
/ Folk poetry
/ Folkloristics
/ Folksongs
/ Fugues
/ Hands
/ High culture
/ Keyboard instruments
/ Literary genres
/ Literature
/ Masterpieces
/ Music
/ Music education
/ Music practice
/ Music theory
/ Musical chords
/ Musical forms
/ Musical instruments
/ Performing arts
/ Philosophy
/ Pianos
/ Preludes
/ String instruments
/ Tonal theory
/ Upper extremity
2015
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The Masterpiece
by
SOFIA MOSHEVICH
in
Aesthetic objects
/ Aesthetics
/ Anatomy
/ Anthropology
/ Applied anthropology
/ Art education
/ Art music
/ Art objects
/ Art songs
/ Arts
/ Arts participation
/ Axiology
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cultural anthropology
/ Extremities
/ Fiction
/ Folk culture
/ Folk literature
/ Folk music
/ Folk poetry
/ Folkloristics
/ Folksongs
/ Fugues
/ Hands
/ High culture
/ Keyboard instruments
/ Literary genres
/ Literature
/ Masterpieces
/ Music
/ Music education
/ Music practice
/ Music theory
/ Musical chords
/ Musical forms
/ Musical instruments
/ Performing arts
/ Philosophy
/ Pianos
/ Preludes
/ String instruments
/ Tonal theory
/ Upper extremity
2015
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Do you wish to request the book?
The Masterpiece
by
SOFIA MOSHEVICH
in
Aesthetic objects
/ Aesthetics
/ Anatomy
/ Anthropology
/ Applied anthropology
/ Art education
/ Art music
/ Art objects
/ Art songs
/ Arts
/ Arts participation
/ Axiology
/ Behavioral sciences
/ Biological sciences
/ Biology
/ Cultural anthropology
/ Extremities
/ Fiction
/ Folk culture
/ Folk literature
/ Folk music
/ Folk poetry
/ Folkloristics
/ Folksongs
/ Fugues
/ Hands
/ High culture
/ Keyboard instruments
/ Literary genres
/ Literature
/ Masterpieces
/ Music
/ Music education
/ Music practice
/ Music theory
/ Musical chords
/ Musical forms
/ Musical instruments
/ Performing arts
/ Philosophy
/ Pianos
/ Preludes
/ String instruments
/ Tonal theory
/ Upper extremity
2015
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Book Chapter
The Masterpiece
2015
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Overview
The period from 1946 to 1953 (the year of Stalin’s death) saw a new terror, in which repression of the arts reached an apogee. Shostakovich was among the composers condemned in the Communist Party’s 1948 “antiformalism” decree. Following the publication of this decree, he was removed from his teaching positions, and a number of his works were banned. Through these years, Shostakovich had to write mostly “for the drawer” and published only his weaker but politically correct pieces. With one notable exception—the Twenty-Four Preludes and Fugues—his best compositions of the period, including the Violin Concerto No. 1, op.
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