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Renegotiating landscapes of the female: voices, topographies and corporealities of alterity in Marina Carr's Portia Coughlan. Paper in: Performing Ireland, Singleton, Brian, and McMullan, Anna (eds).
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Renegotiating landscapes of the female: voices, topographies and corporealities of alterity in Marina Carr's Portia Coughlan. Paper in: Performing Ireland, Singleton, Brian, and McMullan, Anna (eds).
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Renegotiating landscapes of the female: voices, topographies and corporealities of alterity in Marina Carr's Portia Coughlan. Paper in: Performing Ireland, Singleton, Brian, and McMullan, Anna (eds).
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Journal Article
Renegotiating landscapes of the female: voices, topographies and corporealities of alterity in Marina Carr's Portia Coughlan. Paper in: Performing Ireland, Singleton, Brian, and McMullan, Anna (eds).
2003
Overview
Sihra offers a broad overview of some of the major concerns of Irish theater over the last 100 years of its history, in order to provide a context for the discussion of the work of one of the most prominent of contemporary Irish playwrights, Marina Carr. While Carr is certainly not the only female playwright currently working in Irish theater, she is unique in having her work regularly performed at the National Theatre, and in achieving a high level of critical, national, and international recognition as a writer in the theater. Sihra points out that Carr specifically refers to and incorporates elements of the familiar literary Irish canon, including the energy of Synge's poetic language and the lore of myth and folklore invoked by W. B. Yeats and Augusta Gregory.
