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2021 Space Olympics: Towards a Science Fiction Dramaturgy
by
Vodovnik, Sanja
in
Astronauts
/ Audiences
/ Dramaturges
/ Dramaturgy
/ Genre
/ Gravity
/ Handball
/ Imagination
/ Olympic games
/ Performance theory
/ Realism
/ Science fiction & fantasy
/ Semiotics
/ Theater
2022
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2021 Space Olympics: Towards a Science Fiction Dramaturgy
by
Vodovnik, Sanja
in
Astronauts
/ Audiences
/ Dramaturges
/ Dramaturgy
/ Genre
/ Gravity
/ Handball
/ Imagination
/ Olympic games
/ Performance theory
/ Realism
/ Science fiction & fantasy
/ Semiotics
/ Theater
2022
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Journal Article
2021 Space Olympics: Towards a Science Fiction Dramaturgy
2022
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Overview
In August 2021, the International Space Station (ISS) hosted its first Space Olympics. Seven astronauts and cosmonauts from various spacefaring nations competed in four events: weightless sharpshooting, synchronized space swimming or space floating, no-handball and lack-of-floor routine. In this essay, I observe Space Olympics through the lens of science fiction performance to explore how science fiction can provide a dramaturgical model for configuring and understanding performative events that seek to (re)present scientific and technological discoveries hovering between the imaginative and real. To examine how science fiction can inform performance, I focus on two approaches included within a developing science fiction dramaturgical toolkit: neology and future history.
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